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In 1923, the artist Jacques Majorelle acquired a four-acre plot of land just outside the center of Marrakech. Inspired by numerous travels around the country to paint scenes of village life, and funded by painting more illustrious portraits such as that of Pasha Thami el Glaoui, Majorelle was able to build a small studio and house, with enough land to indulge his other passion: ethnobotany. As his career grew, he added a splendid villa, and the garden took on a life of its own, featuring innumerable exotic species from around the world; he added pools and fountains, and, of course, the now iconic, eye-popping Majorelle blue that was lavished on the architecture. The property became so expensive to maintain that the artist was forced to open it to the public until his death in Paris in 1962. The garden gradually fell into a state of disrepair and was slated for development by a hotel chain until French designer Yves Saint Laurent and his partner Pierre Bergé happened upon it during one of their many trips to the Red City. In 1980, they decided to buy it and restore it to its former glory, adding irrigation and doubling the number of plants and gardeners to look after it. They moved into the villa and set about transforming other buildings into what is now the legendary Berber Museum and a boutique. The latter is especially noteworthy for creative director Stephen di Renza’s commitment to reflecting Majorelle’s lesser-known passion for the decorative arts (which is manifest in the exquisite artisanal pieces, leather goods, and jewelry) and Saint Laurent’s inspired use of traditional Moroccan dress, such as the kaftan and djellaba, in haute couture fashion.

J. Paul Getty’s original museum is as much about the transporting setting as it is about the pieces inside. When the billionaire oil tycoon decided to open a museum for his extensive collection of antiquities in 1974, he modeled it after an ancient Roman villa that had been buried by the eruption of Mount Vesuvius. The estate’s painted ceilings, Roman columns, and marble floors feel at one with the 44,000-strong collection of Etruscan, Greek, and Roman pieces (don’t miss the bronze statue of Herakles, circa 300 B.C.E.). When you stand amid the 64-acre ground’s bronze statues, frescoes, and reflecting pool, the expansive view of the Pacific Ocean offers one of the few clues that you’re in California. A regular stream of theater performances, readings, and academic talks in the open-air amphitheater keeps things heady day and night. Pro tip: Although it’s free, entrance to the Getty Villa requires an advance, timed-entry ticket, bookable online. Don’t miss the 40-minute tours on Thursdays and Saturdays of the four Roman gardens, which cover a fascinating array of mythology and history.

Perched high above the sea on the east coast of St. Kitts is Brimstone Hill, a massive stone fortress built by African slaves for the British during the 17th and 18th centuries. Now a UNESCO World Heritage Site, the military stronghold, which took 100 years to complete, is considered one of the best-preserved fortifications in the region. From the top, you can see six neighboring islands on a clear day.

The most traditional of Fes’s two main shopping streets is a cornucopia of carpet vendors, leather babouche makers, Berber jewelry sellers, fondouks spilling over with handmade pottery, and much more besides. The trick here is to sort the wheat from the chaff and get some proper bargains. Among the myriad carpet shops, a favorite is Kilim Berber where the charming Youssef sells an affordable collection of top-quality Beni Ouarain, Azilal, and Boucherouite rugs. Take a gander at the wares of the Fondouk Tazi, which has an excellent range of traditional Fes pottery as well as groovier striped collections. Keep strolling downhill and you’ll see wooden buckets trimmed with brass items meant for the hammam (but which look just as stunning in a modern bathroom); aim to wind up at the Henna Souk, where you can stock up on traditional cosmetics and toiletries from Ahmed and Mohammed—who can also give you a crash course in how to use them.

Started by a British master weaver almost 20 years ago, Mungo weaves a wide range of quality linens, throws, blankets, bedding, towels, and apparel, which are sold internationally. The company says that ethical trading and integrity underpin its philosophy, and it is particular about sourcing quality natural fibers. The linen in raw form comes from Belgium, while the cotton, mohair, and wool are from South Africa. You can view some of Mungo’s weaving on its 19th-century Hattersley looms at its Old Nick Village headquarters, outside Plettenberg Bay. Better yet, just go to the Cape Town store (with its own micromill) on Hout Street and see the products for yourself.

Sicily has a long tradition of puppet shows, and they’re not intended merely to amuse the kids. These are elaborate theatrical works that tell complex stories through beautifully crafted marionettes. Palermo’s International Museum of Marionettes Antonio Pasqualino (its full name) honors the art as it’s performed in Sicily and in other cultures around the world. The 3,500 puppets on display come from Sicily, Japan, Indonesia, Cambodia and parts of Africa. You can even watch marionettes in action in a theater on the top floor; check the schedule to see what’s playing during your visit.

The most famous remaining stretch of the Berlin Wall gets its name from its location on the east side of the Spree River, as well as from its collection of political and satirical murals. Originally painted just after the wall fell, the murals were repainted (or in some cases painted over) in 2009 as a way of cleaning up the increasingly decayed originals and in recognition of the 20th anniversary of the fall of the wall. Today, a fence partly protects the gallery to prevent vandalism of the murals, but people throng here nonetheless, especially in summer. A museum at the site tells the fascinating story of the structure through interactive displays, original newsreel footage, and filmed interviews with Berliners who lived on both sides.

Marilyn Monroe once proclaimed that her favorite swimming pool was at the Arizona Biltmore. And Irving Berlin, obviously a person who didn’t know how to relax, is said to have written “White Christmas” while a guest at the hotel. Other musical guests have included Frank Sinatra and Sammy Davis Jr., who were known to play on a piano in the lobby. But that’s history, and the Jewel of the Desert, as the 90-year-old hotel was once known, is now just one more sparkling gem in a treasure chest of Arizona resorts. To continue shining, the Biltmore underwent a major renovation that was completed in late 2016. Much of the update focused on restoring the hotel’s original main building, but the guest rooms, meeting spaces, ballrooms, and spa were also polished. The contemporary style that now dominates the Biltmore was inspired by Frank Lloyd Wright, who played a significant role in determining the hotel’s original look. In the guest rooms, Wright’s influence is most notable in the wall coverings, embossed with a design similar to that found on his “Biltmore Blocks,” used in the construction of most of the resort. Of course, for guests who didn’t come for the history, or the design lecture, there are still the eight swimming pools, seven tennis courts, and, next door at the Arizona Biltmore Golf Club, 36 holes of golf.

Affordable diffa (Moroccan-banquet-style) dinners can be frustratingly elusive in this town, so sweet little Darori is a breath of fresh air if you want to go all-out traditional without blowing the budget. It occupies a cozy courtyard dining area furnished with old French dressers and saffron-hued carpets—ignore the rather jarring tourist-board video projections, or ask to sit facing away from them, and focus instead on digging into Fassi favorites like pigeon pastilla, beef and prune tagine, and pastries like the old Moroccan standby of mille-feuille with lashings of crème anglaise and seasonal fruit, all for an affordable price.

You can’t miss the hot-pink facade winking at you from the shadows of a teeny, tiny square on the Talaa Kbira (about midway down the slope between Bab Boujloud and the Attarine souks). A recent project of Najat Kaanache (who also runs Nur), this limited-seating hole-in-the-wall offers a rib-sticking menu of Mexican burritos lustily filled with grilled, smoky vegetables; slowly stewed meats; and lashings of salsa.

Tensions dissolve immediately when guests arrive at Sparrows Lodge. Take your welcome cocktail—sangria with wild blueberries—straight to the arbor, where the scent of citrus and the soothing fountain flow embody “out of office.” Like much of Palm Springs, this 20-room bolt-hole dates to the 1950s, when it was owned by MGM actor Don Castle and known as Castle’s Red Barn. Fully restored in 2013, the lodge is more rustic modern than midcentury, with russet red walls, exposed beams, and Swiss army blankets. It’s a decidedly unplugged place (rooms don’t have TVs or phones) with a casual atmosphere that’s akin to summer camp. Plan to spend quality time at the pool, tooling around town on one of the free Sole bikes, or in the Out of Africa–style massage tent. The Barn Kitchen’s family-style dinners on Chicken Wednesdays and Steak Saturdays are a can’t-miss. Strangers become fast friends over three-course feasts by chef Gabriel R. Woo (reserve at least a week in advance). Pro tip: Ask for a poolside room with a deep steel horse trough bathtub—and bring a good book.

It took a 1920s cotton magnate and a 1980s oil heiress to create the city’s most iconic stay, the former incorporating hallmarks of European design into a 10,000-square-foot house the likes of which had never been seen in Dallas—think Italian marble columns, 19th-century Spanish cathedral doors, and a ceiling inlaid with 2,400 separate pieces of wood. The latter transformed it into the Mansion Restaurant, which remains an award-winning favorite, adding a new wing with 143 guest rooms and suites and establishing the first property in the now-global Rosewood chain. Past the signature peach facade, the since renovated accommodations mix modern technologies with gracious amenities, historic touches, and residential-style décor—a combination that’s proved a hit with visiting dignitaries, international business travelers, and privacy-seeking celebs. A small pool, fitness center, and massage treatment rooms round out the facilities in the new wing, while meeting rooms and event spaces are located in the mansion’s gorgeous former living quarters. Young professionals flock to the leather-walled Mansion Bar for after-work craft cocktails and live music on weekends, while the brunch crowd heads to the Terrace restaurant to dine around outdoor fireplaces and oak trees hung with lanterns. Just don’t pass up ordering the legendary tortilla soup at The Mansion.

The former residence of Würzburg’s prince-bishops, this UNESCO World Heritage site is one of the most important Baroque palaces in Europe. It was—remarkably, given its scale and level of detail both inside and out—built almost entirely within a single generation. Court architect Balthasar Neumann oversaw the construction, while leading architects from Germany and France created the fabulous ornamentation. Woodcarvers, sculptors, and artists from Italy—including Giovanni Battista Tiepolo, regarded as one of the greatest fresco painters of the 18th century—also contributed to the design.

Rebuilt after World War II, the palace now features a bevy of architectural styles, from German and Viennese Baroque to French château. Inside, the White, Imperial, and Garden halls are can’t-miss attractions, as are the grand staircase and ceiling fresco by Tiepolo and the Mirror Cabinet. Before leaving, be sure to take a walk in the court gardens, which feature fountains, charming yew trees, and a group of cherub statues by Johann Peter Wagner.

As idyllic a tourist destination as Zanzibar is now, its history is undeniably dark. At the height of the slave trade in the 18th and 19th centuries, some 50,000 people were brought to Zanzibar each year, brutally removed from their homes in West Africa and made either to work on the coconut and clove plantations here or sold off at the market to buyers from around the world. A tour of the original site of the slave market (on whose site now stands an Anglican cathedral, once a building project for freed slaves and now a memoriam with exhibits) is an important reminder of this ugly time. Visiting the dim and suffocating underground chambers to see where human beings were bound and held in chains is chilling.

Throughout his life, African-American artist Noah Purifoy reimagined junk as art, using found materials to create sculptures inspired by Southern California’s culture and landscape. Some of his best-known pieces were made out of charred debris from the 1965 Watts riot, and he worked tirelessly to bring art programs into the local community and prison system. Then in the late 1980s, Purifoy moved to the desert, where he spent the last 15 years of his life creating his original and distinctive magnum opus: a series of large-scale sculptures sprawled across 10 acres of sandy red earth in the Mojave. The space redefines the notion of a museum, with an atmosphere that’s both meditative and reminiscent of Mad Max. While the found items are evident upon close inspection, the impact of the pieces themselves—with such titles as “The White House,” “Band Wagon,” and “Ode to Frank Gehry”—is deeply moving. The museum is open all day and free (though donations are encouraged), but you can also schedule a one-hour group tour or a private tour with a docent. Pro tips: Visit as early as possible or at sundown to avoid the scorching heat and experience the place at its most picturesque. Bring water and watch out for snakes.