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In the early 1800s, a small fortress was built at the strategic beachhead on the Kowloon Peninsula. When the British began to occupy Hong Kong in 1841, the fortress became vital to China’s maritime defenses and so was greatly expanded. Soon a thick stone wall and watchtowers were added, and inside, a number of military buildings and soldiers quarters enlarged the fortified city even more. Though most of the complex has been destroyed or demolished over the decades, a few sections have survived, including the foundation of a former wall, remnants of the South and East Gates, and a flagstone path. A handful of relics have been recovered—from cannons to stone lintels—and are displayed in a Qing Dynasty Jiangnan-style garden park created on the site.

With the Spanish conquest of the Aztec empire, Iberian overlords set about imposing their customs on the subdued populace, eliminating traces of pre-Hispanic religions they deemed heretical by demolishing major temples and building churches and other structures atop their ruins. Centuries later, in 1978, workers laying electrical lines happened upon the remains of the Templo Mayor, the Aztecs’ most important ceremonial center (and, yes, the location of their notorious human sacrifices). Subsequent excavations have revealed superimposed pyramid foundations and priceless artworks, many now displayed at the on-site museum. Thrillingly, treasures keep turning up—including the spring 2017 discovery of a stone box containing some of the finest Aztec gold ever found, just off the Templo Mayor’s steps.

This might be the most photographed store in Florence—the charming but cluttered scene includes strings of dried garlic and chilies, baskets of fresh fruit, colorful ceramics, wooden serving utensils, wild-boar salami, Tuscan olive oil, and handmade copper pots—with displays inside the shop and spilling out onto the sidewalk. This historic establishment, on the ground floor of the old tower of Borgo Santi Apostoli, is so friendly that the owner will pour you wine and offer a few bites of pecorino cheese while you decide how much room is left in your suitcase.

Reykjavík’s Settlement Museum was established in 2001 after archaeological remains were discovered during an excavation. Said remains turned out to be the oldest relics of human habitation in the city, with some fragments dating to before 871 C.E. Today the museum has many of those finds on display, including the largest element from the historic haul, parts of a 10th-century longhouse, whose main hall and wall fragment form the focal point of a compelling exhibition about the nature of local life during Viking times. Mixing multimedia technology such as holographic dioramas with original artifacts from various excavations around the city (farming implements, sacrificial cow bones), the exhibition does a great job of bringing the Viking era to life.

This English-inspired hotel has been the place to stay in New Orleans for basically forever—well, since it opened in 1984, at least. It’s plush without being pompous, stately without being too serious, though it should be said that this is the kind of place where gents might wear a pocket square and watch fob and feel right at home. The $8 million art collection, which includes original works by Reynolds, Gainsborough, and Huysman, is museum-worthy (you can even take an audio tour), and the 4,500-square-foot spa, part of the 2012 $22 million renovation, is one of the city’s most luxurious. Other notable upgrades include the lobby cocktail bar—a more feminine alternative to the leather-clad Polo Club Lounge, and an outdoor pool.

Take San Francisco’s defining features—its booming tech industry, its creative heart, its killer restaurant scene—and squeeze them into a 100-year-old building in a neighborhood undergoing a sea change. That’s Hotel Zetta. The dynamic property, which re-opened as Hotel Zetta in 2013, couldn’t be more, well, San Francisco.

In the lobby, there’s a chandelier fashioned from recycled sunglass lenses, a front desk made from reclaimed wood, and a two-story Plinko board (an interactive art piece) that descends from the Playroom. About that: The Playroom caters to the work-hard, play-hard set. A shuffle board, a pool table, and video games (both current and retro) spark friendly competition. A classic London telephone booth lets guests order room service or video chat. Modern amenities continue in the rooms. Desks built from kitchen butcher blocks encourage standing while working. A G-Link docking station facilitates wireless streaming from tablets and smartphones to flat-screen Samsung Smart TVs, which come pre-loaded with complimentary Internet service, apps and HD channels.

The art? A blend of analog and digital. Art in the guestrooms include work by Nick Gentry. He made an original work as a compilation of floppy disks. Then, the work was photographed and screenprinted as a giclee on a canvas for the rooms. Downstairs, two new ventures from famed Bay Area restaurateurs Anna Weinberg, James Nicholas and Chef Jennifer Puccio (of Marlowe and Park Tavern) ensure the young and hungry are adequately fueled.

Housed in a 1964 structure whose modern lines and central fountain greatly complement what’s on view, this anthropology museum is a repository of the most important pre-Hispanic treasures modern Mexico has discovered. The works are displayed in exhibits that trace the entire history of the Americas’ indigenous population, from the Bering migration to the present day. Exhaustive (and sometimes exhausting) in scope, many visitors choose to jump ahead to “greatest-hits” galleries focusing on name brands like the Aztecs (to see their misnamed calendar stone); the Maya and their artifacts; or the Olmec culture, famed for its colossal (and quite sensual) head sculptures dating back to Mesoamerica’s earliest recorded eras.

From the outside, the Royal Ontario Museum appears to have been struck by a mineral formation from outer space. When the original building was overhauled by starchitect Daniel Libeskind, many locals were dismayed by the new addition, called the Michael Lee-Chin Crystal, but most have come around to its angular charms. Visitors to this museum of world cultures and natural history can work their way through galleries showcasing Chinese sculptures, Canada’s First Nations artifacts and crafts, dinosaur skeletons, and Byzantine artwork. Special exhibits have included everything from the intricate textiles of Mexico to an in-depth look at the culture of tattoos.

José Clemente Orozco, one of the “Tres Grandes” of Mexican muralists (along with Diego Rivera and David Alfaro Siqueiros), is one of Guadalajara’s most famous sons and unlike another one, the architect Luis Barragán, many of Orozco’s most important works are in the city (at the Hospicio Cabanas, the University of Guadalajara, and other buildings). It may come as a surprise, then, that there is no museum dedicated to the painter and his works in his hometown. You might think, given its name, that the Casa Taller José Clemente Orozco would be it, but the house and studio was only used briefly by Orozco on visits to Guadalajara in the last three years of his life.

After his death, in 1951, his widow decided to turn it into a cultural center. There is only one work by Orozco on display in the building (La Buena Vida). Painted for the exclusive Turf Club, it shows a scene of festive debauchery, complete with scantily clad female dancers. Except for some perhaps veiled criticism, it shares little in common with Orozco’s more typical scenes of revolution. While the Casa Taller is not the place to go to learn about Orozco or see his works, it should be on your list if you want to see current works by contemporary Mexican and international artists. Its galleries regularly house temporary installations and shows by current artists following in Orozco’s footsteps by creating challenging socially engaged works. Admission is free.

This restaurant-bakery combo was the first of its kind in the city and it definitely raised the bar for the dining scene. The menu, including breakfast, lunch and dinner, is inspired by neo-Nordic cuisine with a Czech twist, and the farm-fresh ingredients are brought in daily. The lunch menu made up of dishes such as spelt, red pepper, and cottage cheese, while on dinner menu you’ll find potatoes in ash, smoked fish, dried egg yolk, and kefir, or dry-aged beef tenderloin with onions and marrow. If you’d like to stay a while, opt for the chef’s selection of five dishes selected just for you, or the eight-course tasting menu. Set on two floors in one of the converted factories in Prague’s once industrial Karlin district, Eska’s has an industrial vibe with high ceilings, massive windows, and exposed pipes.

A few years back, when Lima’s Central Restaurante was closed because of zoning issues, Peru‘s celebrity chef, Gastón Acurio, was one of many who petitioned for it to be reopened. I knew that meant the young chef at Central, Virgilio Martinez, must be doing something truly special. Virgilio’s restaurant is located in Lima’s hip Barranco neighborhood. I stopped in solo one afternoon for lunch and was dazzled by the dishes his servers put in front of me: charred purple corn with scented octopus, lentils, yuzu, and bok choy; “mask of the suckling pig” (or pig face) with tart green apple, baby tomatoes, and galangal; and suckling goat with chickpeas, goat cheese, and lemon verbena. Each course was plated like a work of art and was a beautiful riddle on the palette. My enthusiasm for my food earned me a tour of the open kitchen and the rooftop garden, where servers pluck flowers or clip herbs for dishes like the citrus gelée with edible flowers (pictured above). Chef also gave me a tour of his incredible chocolate cellar, where he shows off his favorite chocolate bars from around the world.

Upon first entering the famed blue doors of Per Se, located inside the Time Warner Center overlooking Central Park, the dining room has the air of a wake, filled stiff collars and hushed tones. But no matter the attitude, the fact is that everyone in the dining room waited at least a month for this moment. At Per Se, you can only make a reservation one month in advance (maximum), and, if you procrastinate a day or two (say 28 or days or less before your desired date) you’ve likely missed your chance. (Do take note that you cannot cancel a reservation within seven days without being charged $175 per seat reserved.) This is an experience that will last up to four hours, where you are served from five to nine courses (depending on the menu you select), with many surprises in between, including personalized menus with your name and event (if you’re celebrating anything) on each. Now, if you’re still interested and not frightened away by the potential cost, then you’re in for an amazing afternoon or evening of small plates with the most amazing tastes you’ll ever come across. Do not be deterred by the portion sizes as you will most certainly leave full. It might even be best if you arrive on the borderline of famished, as it is a crime to leave anything behind.

Nuzzled up against the Arizona border about 100 miles west of Four Corners are some 30 square miles of the most iconic scenery in the American West. Monument Valley is one of those places that you’ll recognize as soon as you see it, even if you’ve never been there before, as dozens of movies, TV shows, and even video games have used the area as a setting. It’s made up of mesas both small and large reaching up from the valley floor, some rising as high as 1,000 feet into the sky. Part of the Navajo Reservation, the area charges a $20-per-vehicle entrance fee to drive the dirt-road loop. Once in, however, you can also enjoy a number of hikes, or hire a guide for a horseback tour.

On most days in Prague, it feels like every tourist in town has gathered on the Charles Bridge. And for good reason — this 14th-century cobblestone span crosses the Vltava River, connecting the Old Town with the Lesser Town (Mala Strana) and providing picturesque views of both sides of the river, medieval churches, towers, and Prague Castle on the hill. King Charles IV commissioned the bridge in 1357. The bridge has 16 arches and protected by towers on either end: the Old Town Bridge Tower in Old Town and the Judith Tower and Lesser Town Bridge Tower on the Mala Strana side. The bridge is lined with 30 large statues of religious figures and luminaries, dating from the Baroque era to the present day The best time to go is at dawn, sunset or after dark after the crowds have thinned and romance is in the air.

Described by Napoleon as the “Drawing Room of Europe,” Venice’s principal public square is dominated by Saint Mark’s Basilica and the Doge’s Palace—as well as its famous pigeons. Wander the framing porticos, have coffee at Quadri or Florian’s and just take it all in. Even on the most crowded days, there’s a feeling of calm in the eddying whirls of people who gather in this impressive space.