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Dinner cruises on the Seine have been on the Parisian visitor’s bucket list since they were first introduced. Some of the modern boats lack charm, and the expensive food they serve is often less than stellar, two developments that threaten to give the tradition a bad name. Le Calife, a 1939 wooden barge full of nautical brass, is a glamorous exception. The boat cruises the river twice a day on two-hour itineraries and serves a light and creative menu with inspired vegetarian options for each course. A glass-enclosed dining deck provides a clear view of the city, regardless of the weather.

Sure, it’s the largest town on St. Croix, but it’s the charming Danish-influenced architecture that makes it most noteworthy. The city center is a protected national park lined with candy-colored buildings and historic churches, while the streets are made of cobblestones and punctuated by stone archways. At the waterfront, which was a focal point of the island’s sugar trade, a wharf is populated by restaurants, bars and water sports shops. There’s also an 18th-century fort.

Forever on the verge of being the next big target of gentrification, the district known as Santa María la Ribera—northwest of downtown—retains its neighborhoody, down-at-the-heels charms. Its streets are home to a mix of old-school cantinas (all perfectly visitor-friendly) and mom-and-pop restaurants, alongside some neglected architectural gems, hipster coffeehouses, and standard-issue, sometimes grimy local businesses—in short, it’s still real. The district’s centerpiece is its central plaza, known as the Alameda, and its exuberant Moorish-style gazebo (it started life as the Mexico Pavilion at a long-forgotten world’s fair). Recently restored and awash in color, the kiosk is a gem—and the proud emblem of the barrio. Note some amazing old mansions and the spooky Institute of Geology lining the plaza. The nearby Museo Universitario del Chopo—housed in a glass-and-cast-iron former natural-history museum—is a renowned center for avant-garde art that leaves no viewer less than provoked.

Since launching her handbags and accessories line in 2008, accessories designer Clare Vivier has mastered the delicate combination of Parisian chic, American prep, and California cool. While her brand has spread to seven boutiques across California and New York, her flagship shop in Silverlake may best personify her brand. Two walls of windows let the California sun stream in each morning and afternoon, and shadowboxes designed by local architect Barbara Bestor hold the goods that lure passersby along Sunset Boulevard. Technicolor best sellers such as the La Tropezienne, Simple Tote, and coveted Foldover Clutches may sit on copies of the most recent Paris Review or Louis Vuitton City Guides, which are also for sale. Everything in the well-rounded space has a connection to France, Los Angeles, or Vivier herself. The shop stocks jewelry by her friends Annie Costello Brown and Grace Lee, for example, along with French Veja sneakers and candles from West Hollywood’s iconic Chateau Marmont. Pro tip: Head here for a last-minute gift—clutches and other leather items can be monogrammed on the spot.

With the smallest room a sprawling 400 square feet, and suites and public spaces filled with original 18th- and 19th-century art and antiques, the George V, flagship of the Four Seasons chain, lives up to its billing as a palace, an official tourism category introduced in 2010 requiring establishments to “embody French standards of excellence and contribute to enhancing the image of France throughout the world.” Set in a 1928 art deco building, the Four Seasons Hotel George V boasts a regular clientele of bona fide royals, including Saudi princes who rent entire floors for six weeks at a stretch. The staff includes a team of flower designers led by an art director who worked on Chelsea Clinton’s wedding. There’s also a dedicated concierge for children ordering up pint-sized bathrobes and private pastry-making lessons in the Michelin-starred kitchen.

If you had to choose one place to symbolize Rio’s Belle Époque, it would be this sumptuous café, a must-do for every downtown visitor. Built by a Portuguese family in 1894—when Rio still evinced the splendor of a former imperial capital—its art nouveau–inspired refinements like huge mirrors, imported from Europe, wood furnishings, immense chandeliers, and stained-glass transoms welcome patrons. Colombo is all so terribly majestic you could be at one of the Continent’s grand salons or even the Tortoni in Buenos Aires. Perfect for afternoons over a pastelzinho de Belém, Lisbon’s traditional sweet egg tart.

Between the São Conrado and Barra da Tijuca districts lies the exclusive quarter called Joá—Rio’s answer to Beverly Hills—amid whose mansions hides a secret next to zero visitors know: Joatinga Beach, a shoreline as incredible as it is hard to get to. For instance, you can find it only at low tide (yes, the beach is that small). And even though it’s officially public—as are all Brazilian beaches—you reach it by finding your way through the labyrinth of a built-up city neighborhood. There’s no cell service and barely any Internet. But the minute you tread the sand and wade into the turquoise waters, you forget all the rest, which is no easy trick in the middle of busy Rio.

Those who just stumble upon the Hundertwasserhaus apartments in the Third District will likely be wowed by the buildings. Friedensreich Hundertwasser’s funky, mid-1980s organic housing complex is weird and gorgeous with a wavy, eclectically painted facade that looks like something out of a cartoon. With trees growing on its terraces and roof, it’s the antithesis of staid imperial Vienna. A freethinker if there ever was one, the artist, architect, and environmentalist Hundertwasser could be called Austria’s Gaudí. Visitors can learn more about him in the ground-floor café. Nearby, Hundertwasser designed the Kunst Haus Wien art museum out of an old Thonet furniture factory, while up the Danube Canal an incineration plant’s chimney got the Hundertwasser treatment with trippy colors and a funky golden ball on top.

Founded in 1954, La Cueva, in the seaside town of Barranquilla, gained renown as a favorite watering hole of some of Colombia’s most famous artists, writers, and intellectuals, most notably the so-called Barranquilla Group—which included Gabriel García Márquez—and painter Enrique Grau. All-night affairs were said to be equal parts pontification and house party, with a dollop of boogie. Today’s La Cueva serves a varied menu and invites visitors to relive the bohemian spirit of the artists who put this place on the map (some of their faces adorn a portrait that takes up an entire wall). Jazz bands play here on Wednesdays and Thursdays.

Like the island nation’s other famous export—rum—cigar crafting is an art form. The best puros are made from aged tobacco and hand-rolled. And this intimate company, owned by a German expat, prides itself of small, quality productions. The shop at the factory is the best bet for freshness. A tour offers a sample. By request, tours take visitors through the 40 steps of cigar making. They include tobacco selection, as well as rolling and pressing. The shop at the factory is the best bet for superfresh cigars.

The Botanical Garden was established in 1600, but moved a few times before settling on its current central site in 1870. The beautiful grounds are particularly noteworthy for the extensive complex of historical glasshouses. There are 27 in total, ranging from the grand Palm House that dates from 1874 to a specially cooled greenhouse used for growing arctic plants. It’s very much a working garden, used for scientific research, but for visitors it’s a beautiful—and free—spot to spend an afternoon.

The Black Rose is reliable in every way: It’s a genuine Irish pub in a part of Boston where authentic can be hard to find among the tourist joints; the bar food is first-rate (you can’t go wrong with a pint of Guinness and the house-made corned beef on marble rye, hold the mustard); and there’s live music seven nights a week. Located across the street from the historic Custom House and close to Faneuil Hall, the Black Rose has thrived for 40 years by keeping it real, and you’ll find a lively crowd of locals and visitors here even on wintry weeknights to drink Irish beer poured by Irish bartenders and listen to Irish music.

Trade your yodeling for yoga at this free-spirited meditation center in the former Grand Hotel Sonnenberg, a converted Beaux-Arts property nesting atop an enviable ridge in Seelisberg that overlooks the peaceful and turquoise Lake Uri below. The center was founded by the late Maharishi Mahesh Yogi, guru to the Beatles (among many other celebrities). For the unenlightened, the center’s friendly, English-speaking staff will give you a free tour of the facility and a 101 on TM (Transcendental Meditation). Additional activities like yajna rituals and Ayurvedic treatments can be arranged for long-term visitors. Even if TM is not for you, it’s worth the trek to Seelisberg for the glorious views and the rhododendron and rose gardens surrounding the center, which is open to all.

Pairings are everything at Ram’s Gate, one of the first wineries on the drive to wine country from San Francisco. First is the combination of sights: the wonders of architect Howard Backen’s open-concept tasting room in a refurbished barn and the panoramic vistas of Carneros and San Pablo Bay. Next is the marriage of wine and food—winemaker Jeff Gaffner’s single-vineyard designate chardonnays and pinot noirs matched perfectly with seasonal small bites from executive chef Taylr Benham Cuneo. The most popular tasting is called “Palate Play,” which marries five wines with five dishes from the kitchen. For a truly unparalleled afternoon, book the three-hour Vineyard Table experience, an immersion for four to 10 people that includes a glass of bubbly, a guided tour of the winery and on-site gardens, and a custom-designed meal with wine pairings served at a table in the vineyard. There are other, less involved ways to experience Ram’s Gate: seated wine tastings, stand-alone site tours, and picnics down by the pond. Whatever your fancy, just be sure to make a reservation before you go.

The San Francisco Proper Hotel is the hottest new hotel in town. The reason why? International grande dame of maximalism, designer Kelly Wearstler, revamped a down-and-out tourist hotel deep in the heart of the city, and established the Proper as a magnet for trendsetting visitors and locals. When guests arrive at the 131-room hotel and step inside the flatiron building, they’re treated to Wearstler’s signature pattern-on-pattern aesthetic. In the ground floor lobby, Wearstler sets the mood with salon-style seating areas using richly reupholstered vintage furnishings and Cubism-inspired paintings. Michael Adams, formerly of Central Kitchen, oversees the hotel’s main restaurant, Villon. And while the Proper isn’t the place for those looking for a Zen retreat, it is the place to order a Fifi the Flea cocktail (Tequila Ocho Plata, Ancho Reyes, Ancho Reyes Verde, grapefruit, honey, vanilla, lime, smoked salt) at Charmaine’s, the stylish rooftop bar. Between the fire pits and the bird’s-eye view of Market Street all the way to the bay, it’s no wonder the Proper has become the destination to see and be seen.