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Not far from the white-sand beach within the Four Seasons Costa Rica, Bahia restaurant is the physical and spiritual heart of the resort, with a casual vibe by day and a cozy feel by night, thanks to soft mood lighting and a nightly live band. A wood-fired open kitchen serves a Latin American-inflected, regionally-sourced menu: Try the octopus carpaccio, or the grill menu’s enormous Pacific blue prawns with locally grown heirloom tomatoes and a side of sweet plantains.

With its palm-lined entrance, oasis-like courtyards, and proximity to the Sky Harbor Airport, the Royal Palms draws both business and leisure travelers, especially business travelers who’ve managed to work a few days of leisure into their schedule. Built in the shadow of Camelback Mountain in 1929 as a Spanish Colonial–style home for Cunard Line executive Delos W. Cooke (who imported 900 palms for the grounds), and opened as a hotel in 1948, the Royal Palms remains popular in part because, with just 119 rooms, it’s one of the smaller and more intimate of Arizona’s luxury resorts. Restoration and refurbishing have kept it up to date without diminishing its original charm.

Housed in a mansion built in 1911, Casa Lamm is a cultural center, art school, and gallery. The permanent collection includes works by such notable Mexican artists as landscape painter Abelardo López and sculptor Jorge Marín. Sign up for a same-day lecture or enroll in one of the semester-long classes, which run the gamut from pre-Hispanic art theory to salsa dancing. —Joy Hepp Avenida Álvaro Obregón 99, 52/55-5511-0899, casalamm.com.mx. This appeared in the May/June 2011 issue.

Mitla is located in the Oaxaca Valley, just a short distance from Oaxaca City. However you get there, it’s worth the visit. It’s not a large site; an hour and a half will be more than enough time to walk around. There are so many things that set Mitla apart from other ruins in Mexico. First off, it’s neither Maya nor Aztec. Its influence comes from the Zapotec and Mixtec cultures. It sits right on the desert floor, so cactus, desert scrub, and aloe plants punctuate the surrounding landscape rather than jungle. There are no pyramids to climb; the highest structure on the site probably has no more than 10 or so steps to get to the top. There are no stone sculptures or carved walls to be seen anywhere. Instead, the decoration on the buildings are beautiful geometric patterns created by inlaid and interlocked pieces of stone (grecas). Amazingly enough, no two walls have the same grecas, and on some of the walls, you can still see the original red-painted stone. Some of the walls and the cupolas of the San Pedro Church (built by the invading Spaniards) have been restored to their red-colored glory. The desert backdrop, the grecas, the pops of red color – it all adds up to a very special place!

Like most Latin American countries, El Salvador celebrates a number of religious, cultural, and political holidays throughout the year, but Semana Santa, or Holy Week, tends to be the grandest of them all. Of particular note are gigantic, gorgeous “carpets” that line the streets; made of colored salt and sawdust, they depict religious scenes, as well as social justice messages and images of nature.

Now based at several branded boutiques (including outposts in Roma, downtown, and posh Lomas de Chapultepec), and with a growing presence in some of the city’s smartest specialty shops, Mexican designer Carla Fernández has come into her own as a fashion force whose geometric cuts and mastery of color lead to clothes for men and women that are as bold as anything on Manhattan and Tokyo runways—yet always come alive with irrepressible Latin verve. Often inspired by indigenous palettes and textiles, the overall feel is edgy and today; and while the fit can be loose, even enigmatic, there’s a sexy something going on that has nothing to do with exposure or flaunt.

Festive Plaza in La Villita, a complex with shops run by local artisans, offers a more unique experience than the souvenir-selling El Mercado. Aside from shopping for authentic handmade goods, you can learn about its rich history. Self-guided walking tours (you can find many online for free) are a great way to explore this area. Browse shops while you learn about the surrounding landmarks and buildings.

Cartagena’s Museum of Modern Art (Museo de Arte Moderno de Cartagena) contains a somewhat modest collection of about 300 works, most of which are paintings or sculptures donated by Colombian and other Latin American artists, including Enrique Grau and Oswaldo Vigas. The colonial-era building housing the museum is located within the walls of the historic part of the city; as such, it can easily be included in a morning’s or afternoon’s explorations, whether independent or guided.

Chef Jorge Vallejo spent time in the kitchen at Pujol before he and wife Alejandra Flores opened Quintonil, giving the former boss a run for his money. Their place, too, has become a fixture on best-restaurants lists, and is changing how people understand Mexican food. Taking its name from a weed that not long ago “decent” Mexicans wouldn’t dream of eating, Quintonil seeks to rescue and preserve discarded Mexican ingredients—particularly heirloom vegetable and herbal varieties—as part of the progressive and sustainable eating program it so elegantly advocates. Menus change seasonally, but a recent bill of fare included an avocado tartare with ant eggs and quelite-herb chips; chilacayote squash in mole with basil; and a rich chocolate-and-pinole-flour parfait. A tasting menu of Neronian proportions is also available.

Like nearly every Latin American city, Santiago has at its heart a civic square open to the public and brimming with life (and these squares are often named Plaza de Armas). Santiago’s Plaza de Armas is distinguished by two fine buildings, the Central Post Office and the Metropolitan Cathedral. Both buildings were constructed in the 18th century, although the cathedral was much altered in later years. The square is full of lively activity—an excellent spot for people-watching and getting to know this city’s energy.

A stalwart for business lunches since the days of the Mexican Revolution, is there any reason Bellinghausen needs to change? The old-school refinements include rib-sticking steaks, seafood, and Mexican standards, served in generous portions; delightful garden seating (in addition to the clubby nostalgia of the front dining room); and what some say is the chop-choppiest service in all Mexico City. It’s a mix that keeps the restaurant’s high-end clientele exceedingly happy. More importantly, what comes out of the kitchen is always fresh and expertly prepared; you never sense the chefs are resting on their laurels. In the heart of the now-tatty Zona Rosa, lunch at Bellinghausen offers a glimpse of the neighborhood’s mid-20th-century heyday, when the surrounding blocks were the most bohemian and fashionable in all Latin America.

This intimate, bistro-like 16-seat restaurant in the heart of Pest’s trendy Jewish quarter brings a dash of Scandinavian cuisine (and Scandi decor) to the Hungarian capital. Chef Gábor Fehér spent time in Copenhagen mastering Nordic cuisine, which here comes as mini-courses (they’re flavorful but small, so the kitchen recommends ordering at least four for a meal). Hungarian and even French culinary influences aren’t ignored, either— Fehér studied at Le Cordon Bleu in Paris. There’s a huge variety of Hungarian wines on offer, and the regular crowd is artsy and cool. By the way, “Esca” means “food” in Latin, and it’s easy to see what’s most important here.

Opened by a Guadalajara native, CURRO is a contemporary art gallery showcasing edgy, conceptual work by mostly Latin American artists. Many of the pieces here are in constant conversation with the physical boundaries of the gallery, which is located in the futuristic Cube Tower designed by architect Carme Pinós.

The D.O.M., which opened in late 2013, is a five-star boutique hotel in the heart of Rome’s historic center. Originally built as a 17^th-century noble palace, the property was subsequently converted into a monastery, then Ministry of Justice offices. Its current design, which blends architectural elements from its previous uses, was entrusted to architect Antonio Girardi, who has seamlessly married Renaissance reverence and modern design.

Thanks to the previous ecclesiastical incarnation, rooms are intimate and many have low ceilings. Dark gray and brown hues mingle with velveteen, brick, and wood, creating a cavernous feel in the ground-floor common areas, which contrast with the bright and open rooftop terrace and its views over Rome’s Renaissance quarter and across the river to Trastevere. On the ground floor, a small reception area precedes the hotel bar and restaurant, as well as a small enclosed terrace.

The Riviera Maya’s most beautifully styled adventure park begins with a reception area inside a natural cave. Tours here include Latin America’s highest zip lines over the tropical forest, amphibious vehicles you drive through caves and jungles, and swimming and rafting through underground rivers. Though Xplor is a family-friendly attraction, it may be better suited to teens and adults because of the physical activity required. If you don’t have all day, book Xplor Fuego, the nighttime admission: Temperatures are cooler, torchlight adds an exotic touch, and you soar over the trees by moonlight.