Search results for

Sometimes called “Milan‘s Sistine Chapel” because of its profusely--and beautifully-- decorated walls and ceilings, San Maurizio al Monastero Maggiore is well worth a visit. The Renaissance paintings commissioned by the Sforza family (the primary sponsors of Leonardo da Vinci), adorn the walls of a cloistered convent founded for noble ladies in the early 16th century. Built on an ancient Roman site, the church was built and decorated in stages over several centuries, every interior wall covered in luminous colors befitting the pomp of Lombard aristocratic taste. In particular, frescoes by Bernardino Luini, student of da Vinci, blend the sacred and the profane, using members of the court as models for portraits of saints. Most of the numerous religious and secular works of the Milanese painter have been lost, so San Maurizio is the best place to see his works. To get the most out of a visit to this little gem of art history, go with a knowledgeable guide. My husband and I toured historical Milan with Ludovic Goudin of Walks of Italy, who offer a variety of tours in Milan. San Maurizio was just one of the fascinating places we visited!.

The National Museum of Ireland is free to enter and is spread across four sites in Dublin, covering archaeology, decorative arts and history, country life, and natural history. The archaeology museum is in an imposing building of columns, vaulted ceilings, and marble staircases situated on Kildare Street. It traces Ireland’s history from prehistoric times through the Roman, Viking, and medieval periods. The exhibitions are well set out and clearly labelled. The section on Ireland’s prehistoric gold, including exquisitely-wrought jewellery from the bronze and iron ages, is particularly interesting. But the most mind-blowing exhibition is called Kingship and Sacrifice, and displays findings related to the ritual killing of presumed royals during the iron age. As part of what are thought to be sovereignty and kingship rituals, people were sacrificed - sometimes brutally - and their bodies tossed into peat bogs (which often marked the boundaries between kingdoms). The anaerobic conditions of the bogs preserved the bodies, some of which are on display. Even after thousands of years you can still make out facial expressions, and in one case, hair! The museum also hosts important religious icons and relics from medieval Christianity, for example the twelfth century Cross of Cong - said once to have contained a fragment of the true cross. If you are at all interested in ancient history, set aside a good couple of hours and explore the museum thoroughly. It’s well worth it!

In the Old Souq at Deira and in traditional boutiques in malls you’ll see colorful jalabiyas or women’s kanduras, which are increasingly being bought by foreign women. When out in public or in the company of men who aren’t family, Emirati women wear the ubiquitous black cloak-like abaya and black shaylah wrapped around their head - tightly if devout, more loose if less conservative. The most religious women we’re a Saudi-style niqab that ties around the head and covers all but the eyes. When worn with gloves and socks, so not an inch of skin is revealed, it’s known as hijab. Underneath the abaya and shaylah, young Emirati women wear designer fashions and jeans and t-shirts. However, when they’re at home with family, along with older ladies, more traditional-minded women will wear a jallabiya or women’s kandura. Some of these are very simple, made from floral cotton prints, while others, like those in the photo above, are a lot more elegant, made from silks and linens, and decorated with applique, sequins, gems, tassles, and crocheted and embroidered features. In the days before the discovery of oil, Emirati women didn’t wear abayas and shaylahs. They wore these dresses in public with a gauzy face veil and baggy pantaloons. These days the pantaloons have been replaced with smart matching trousers. Over the years, jalabiyas and kanduras have increasingly become a popular souvenir. If you’re going to get one, make sure to buy some pretty sequined slippers to match!

Centuries-old catacombs decorated with human bones pepper the crypts at this Franciscan monastery dating to 1774. Decked out in impressive Spanish Baroque architecture, the canary-yellow church and monastery also house a remarkable library with some 25,000 antique texts (some predating the Spanish Conquest) and are flush with romantic courtyards and cloisters. Don’t forget to look up: A magnificent Moorish-style cupola, carved of Nicaraguan cedar in 1625, oversees the main staircase.

Every culture seems to have its own ways of making wishes and prayers. I’ve tossed many a coin into many a fountain and blown out many a candle on a cake. In Mongolia, the tradition revolves around the ovoo, a large stone cairn. Ovoos serve mainly as religious sites, used in worship of the mountains and the sky as well as in Buddhist ceremonies. They are also used as landmarks – important on the Mongolian steppes where there are few paved roads, let alone street signs! The tradition for travelers is to walk around the ovoo three times, in a clockwise direction to wish for a safe journey. Three rocks are picked up from the ground and added to the pile each time you circle around the mound. Ovoos will have tree branch or stick in the middle. Worshippers tie a blue khadag, a ceremonial silk scarf that is commonly white in color in northern Buddhist cultures, to the branch. Some of the cairns were large enough that we could actually drive around them and others were far away enough from the road that all we did was honk the horn three times. Apparently, honking the horn is acceptable if you don’t feel like getting out of the car. I’m not superstitious but who doesn’t want to wish for a safe journey so I took every opportunity that I could to walk around the ovoo. Besides, it was really interesting to see them up close. It’s not uncommon for worshippers to leave items behind like animal skulls, bones, and utensils. I even saw bottles of vodka and a crutch!

If I am ever reincarnated as an inanimate object, I wouldn’t mind coming back as one of these lanterns.

When people ask for my top restaurant in Brussels, I have to think twice, not because of indecision, but because I’m reluctant to share. If I like the person a lot, I tell them my secret - Le Coin des Artistes. Just about all of my favourite restaurants in Brussels, look completely unassuming from the outside. Le Coin des Artistes is no exception to this rule. It’s easy to pass by without even realising this corner building is a restaurant and its shabby-chic interior does nothing to hint at the wonders in the kitchen. Take a deep breath though and you’re bound to smell something mouth-watering. Pull up a chair and attempt to decipher the hand-written chalkboard menu. If you don’t read French (or can’t make out the nearly illegible specials of the day) don’t worry, someone will decode it for you. Even if you resort to the cover-your-eyes-and-point method of menu selection, your meal will be divine. Don’t forget to ask for a wine suggestion. The list here is well worth the splurge. The food is rustic French. The chef hails from the south of France and you’ll find traditional French countryside favourites and seasonal specialities. When in doubt, choose the cassoulet. This hearty bean and sausage dish is so good it’s almost a religious experience. Le Coin des Artistes is a perfect example of not judging a book by its cover – or not judging a restaurant by its rickety chairs. Just don’t tell too many people about it, because we locals want to keep it all to ourselves.

In Istanbul, the most authentic place to smoke nargile (also known as hookah and shisha) is Corlulu Ali Pasa Medresesi. The 300-year-old Medrese evolved from a religious school and dervish lodge during the Ottoman times to bazaar stores in the mid-20th century to its current form—a respite for locals and tourists from the bustling Grand Bazaar district. Relax amid the bubbling sounds of the nargile while indulging in the wafting aromas of fruity tobacco. Alcohol is not served; instead, savor a Turkish tea in a tulip-shaped glass or try “boomba” tea with lemon, hibiscus, and mint at the café on the left as you enter the complex. In winter, the warm milky cinnamon drink called salep is a local favorite. The customers are mainly men, but ladies, don’t feel intimidated. It’s a great place to people watch and meet locals who speak many languages. Corlulu Ali Pasa Medresesi is open till 2am and located on the tram line between Cemberlitas and Beyazit/Grand Bazaar stations. If you want my recommendation, try the apple and mint or rose and mint nargile—best shared with old and new friends. Afiyet Olsun (bon appetit)!

Escape the bustle of the city by ducking into the quiet courtyard garden of Begijnhof. Located just a few minutes on foot from the Koningsplein and the Singel canal, this tranquil oasis dates back at least as far as the 14th century. Look among the row houses around the perimeter to find the city’s oldest home, the Houten Huys, built in 1420. And within the courtyard is the Engelse Kerk, or English Church, first constructed in 1390 and refurbished after a fire 100 years later.

Panama’s principal Baha’i temple exudes peace and serenity 770 feet above sea level. The religion’s houses of worship are prayer and meditation spaces open to all, regardless of individual belief, social group, or ethnicity. The faithful follow the teachings of the prophet Baha’u’lláh, who preached—among other tenets—human unity, the individual pursuit of truth, harmony between religion and science, as well as equality between men and women. Panama’s temple, opened in 1972 at the summit of Cerro Sonsonate, is one of just eight like it in the world; Baha’i sacred scripture considers Panama a “crossroads.” Since its opening, the stately white dome crowning the temple, drawing the eye toward heaven, has become one of the urban landscape’s most striking architectural elements.

Schloss Elmau, set at the foot of the craggy German Alps, has a fascinating past. A German theologian opened the hotel in 1916 as a place for visitors to commune with nature while attending religious lectures, public readings, and classical music concerts. In the aftermath of World War II, he lost the property to the U.S. Army, but it was eventually returned to his family. Then in 2005, a fire swept through the original Schloss (castle), causing severe damage, and the owners saw the disaster as an opportunity to rebuild and add another, all-suite hotel on the property to serve as a cultural gathering place. Today, Schloss Elmau still hosts music and literary events—more than 170 each year—and, impressively, served as the site of the G7 Summit in 2015.

Impeccably furnished in shades of soft red, cream, and gold, the 162 rooms are elegant yet understated so as not to distract from the sweeping views of the meadows and mountains beyond. Families will appreciate the larger rooms in the new building, but couples may enjoy soaking up the grand feeling of the original property. The real attraction here, however, is the spas. There are six in all, including one for families, with a large indoor pool and five different types of saunas; the adults-only Badehaus, with three pools, saunas, a yoga center, a beauty salon, and relaxation rooms with floor-to-ceiling windows and open fireplaces; and the Shantigiri spa, featuring separate pools and facilities for adults, families, and “ladies.” Another spa is set on 40 acres with a stream. Once you’re sufficiently blissed out, there are 10 restaurants to choose from, including the Michelin-starred Luce d’Oro.

Rumi was born in Afghanistan, spent time in Persia (Iran), then settled in Konya, Turkey when his father was invited there to be a scholar. Rumi became an Islamic scholar himself teaching peace, love, and tolerance. He built quite a following of the educated – who saw him as a wise philosopher – and uneducated – who saw him as a prophet. Rumi’s life changed when he created an intense friendship with an older, wandering mystic -- Shams of Tabriz. Shams was a brilliant outcast and Rumi was deeply drawn to a learning relationship with this man who was ultimately supposedly killed by some of Rumi’s fans due to the influence he was having on the younger Rumi. From this tragedy, Rumi found a deep well inside himself filled with an ability to channel poetry. It was about this time that he also introduced the experience of divine harmony that comes from whirling. Thus, a new form of religious ecstasy was created and the Whirling Dervishes (also known as the Mevlevi order) have been doing this annual ceremony marking Rumi’s death for almost 750 years. This is the start of the Sema (ceremony) with each Semazen (dancer) bowing upon arriving on stage and the Basi (the leader) at the “head of the class.” The mesmerizing ceremony represents man’s journey to the oneness of perfect truth – amidst separation and longing - through the power of divine love. In 2005, UNESCO proclaimed the “Mevlevi Sema Ceremony” as amongst the Masterpieces of the Oral and Intangible Heritage of Humanity.

Active from the 13th to 15th centuries and considered an influence on the pre-Renaissance movement, the Sienese School of painting is identifiable by its themes—always religious, and usually with a focus on Biblical miracles—and its signature style, a dreamy mix of Roman, Gothic, and Byzantine influences that often feature dazzling gold backgrounds. Opened in 1932, this museum boasts one of the world’s largest collections of Sienese School works, as well as a number of Renaissance and late-medieval pieces from Italian artists. Wander through the impressive building—a combination of two 14th- and 15th-century noblemen’s palazzi—to find works like Duccio’s Madonna and Child, Michelino da Besozzo’s Mystical Marriage of Saint Catherine (celebrating the “calling” of Siena’s native daughter), and Bartolo di Fredi’s expansive Adoration of the Magi. Paired with a visit to Florence’s Uffizi, coming here offers insight into the differences—and longtime rivalry—between the two cities.

Painted by Michelangelo between 1508 and 1512, the frescoes on the Sistine Chapel ceiling are considered some of the finest art ever produced. These religious paintings include nine scenes from the Book of Genesis, of which The Creation of Adam is undoubtedly the most iconic.

Like most Latin American countries, El Salvador celebrates a number of religious, cultural, and political holidays throughout the year, but Semana Santa, or Holy Week, tends to be the grandest of them all. Of particular note are gigantic, gorgeous “carpets” that line the streets; made of colored salt and sawdust, they depict religious scenes, as well as social justice messages and images of nature.