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Every year from the weekend after Thanksgiving until New Years’ Eve, the typically quiet street of 34th street in Hampden transforms into an over-the-top Christmas light display, affectionately called “Miracle on 34th Street.” Folks moving into the neighborhood know what they’re signing up for as each house on 34th street between Keswick St and Chestnut St in Hampden participates enthusiastically. In the neighborhood, Hampden, which inspired many John Waters favorites (think Hairspray!), the decorations are not your typical suburban light display. You’ll find hubcap Christmas trees, nativity scenes made of old records, and of course the light displays that pay homage to Baltimore pride (crabs, National Bohemian - aka Natty Boh, the Utz girl, and of course, the Ravens). On some nights, a few houses open up their homes - one of which showcases his amazing metal art. This is an excellent activity for kids both young and old and you can always follow it up with a delicious meal from one of the many great restaurants on the nearby “Avenue” (36th St).

Anchoring a $1.2 billion mixed-use development, the 23-story Palace Hotel sits opposite the ancient Otemon Gate of Edo Castle and was designed to juxtapose tranquil green space and vibrant concrete jungle, with all guestrooms featuring views of the Imperial Palace’s gardens and moats; most have open-style bathrooms, while more than half feature terraces and balconies, a rarity in Tokyo. Natural motifs—from the leaf-shaped counter and shadowy outlines of trees on the walls of Bar Lounge Privé to the hand-tufted, mossy-hued carpets in the lobby—reinforce the link to the outdoors. The hotel’s artwork brings to light the work of Japanese contemporary artists, with about 1,000 paintings and watercolor, glass, metal, and other pieces on display.

In the center of Seoul, the natural haven of Mt. Namsan and its namesake tower rising over Korea’s capital is the focal point of the city. Nestled amid the trees yet overlooking the sprawling urban landscape is the exclusive Banyan Tree Club & Spa. The resort, which covers 70,000 square meters, offers a relaxing respite from Seoul’s frenzied pace. The Banyan Tree is housed in what was once the Tower Hotel building, crafted in 1967 by Kim Swoo Geun—the same architect who designed the Olympic stadium in Seoul—as his commemoration of the Korean War. The Banyan Tree brand’s in-house design firm Architrave has since remodeled the hotel using inspiration from the five oriental elements of water, fire, metal, wood, and earth. The results are a luxury hotel that is equal parts tranquil, modern, and sophisticated—an alluring combination that draws a plethora of Korean celebrities to luxuriate in the exclusive surroundings.

This sleek, ultra-modern spot takes its inspiration from the linear forms of Dutch painter Piet Mondrian. The Gezi Bosphorus offers a chic and thoroughly striking alternative to the city’s usual Ottoman aesthetic. Cozy rooms have a retro feel with smoked oak and glass used to create warm yet light-filled interiors. Floor-to-ceiling windows in the Deluxe Bosphorus rooms have attention-grabbing views of Istanbul’s iconic Bosphorus Strait.

The Gezi Bosphorus’ green credentials set it apart and prove comfort doesn’t have to be sacrificed for sustainability. Proudly practically zero-emission, the hotel reuses water in its garden; recycles all papers, plastics, and metals; and produces hot water from excess air-conditioning system energy, making it one of the city’s few hotels to receive Turkey’s Greening Hotel Certification. Just off Taksim Square, staying here puts guests amid Istanbul’s modern city core, steps from the shopping vortex of İstiklal Caddesi but still only a short hop on public transport to the historic quarter of Sultanahmet.

Nicer than your average hostel, cooler than the typical chain hotel—this buzzy hybrid offers hostel-style dorms and more traditional accommodations in a 1930s Art Deco building on Reykjavik’s main drag. Designed by hotelier-owner Klaus Ortlieb (of New York’s Gotham Hotel and London’s Claridge’s), the hostel rooms are simple but smart, featuring metal-frame bunk beds, designer armchairs and sofas, and wood tables. The 18 hotel rooms are much more impressive, with elegant coffee-and-cream color schemes, king-size beds draped in Lissadell linens, and en suite bathrooms with C.O. Bigelow products. Most also come with private balconies that look out over colorful rooftops and mountain landscapes. The old-fashioned lobby and bar area—which is strewn with antique furnishings, exotic wall hangings, and leather sofas and armchairs—is a popular hangout for the city’s bright young things, but if you’re looking for something more low-key there’s an on-site movie theater with a carefully chosen selection of Icelandic films.

Built into a mountainside with uninterrupted views of Zermatt and the Matterhorn, The Omnia is a contemporary take on a mountain lodge, envisioned by the late modernist architect Ali Tayar. From below, the glass, metal, and larchwood exterior—and, most strikingly, the slanted roofline—seem to echo the great mountain itself. Entering the hotel is similarly dramatic; from the street, guests walk through a softly lit tunnel to glass elevators, which lift them out of the rock toward the hotel lobby, with dizzying views of the village below. Inside the 30-room property (12 of which are suites), Tayar employed soft, neutral colors to harmonize with the surroundings and create a sense of understated luxury. No two rooms have the same layout, yet all but one have balconies with views. A freestanding fireplace separates the granite-and-leather-accented lobby from a small library stacked with oversize art and design books, while two outdoor terraces are perfect for sipping coffee with views of the Matterhorn. The spa features an outdoor whirlpool, Turkish bath, and steam room as well as an enclosed heated pool that opens to the outdoors through a glass wall on one end.

Opened in time for the 2000 Sydney Olympics, the Establishment is a pioneering 31-room boutique hotel housed in an 1890s steel plant near the modern-day stock exchange building downtown. Managed by the hospitality group Merivale—which started as a fashion house specializing in fascinator hats and mini skirts—the hotel is popular among brand executives who book the 328-square-foot Loft Penthouse for product launches and photo shoots. Rooms feature wood furnishings, swinging metal doors, animal hides, and suedelike daybeds as well as such amenities as Apple TV, Bose surround sound, and Lululemon yoga mats. Bathrooms are particularly luxurious here, with marble floors, freestanding tubs, Bulgari products, and tall windows that open up to Sydney’s bustling business district. The best part about the Establishment, though, is the internal access it offers to some of the city’s hottest bars and restaurants, which are housed within the same complex as the hotel. And after enjoying live music and a few stiff cocktails at the speakeasy Palmer & Co, guests are welcomed to bed with Sleep Tight tea and a homemade chocolate chip cookie.

Tastemakers and A-listers abound at this East Village mainstay, which celebrated its 10-year anniversary in 2017. Travelers feel like insiders the moment they slip through the door, thanks to over-the-top service, celeb sightings, and a lobby design that recalls salon parties of bygone eras. The cool factor only continues upon check-in, when guests receive metal room keys linked to lavish, oversized red tassels. Each of the 135 rooms offers visitors a mix of lived-in comfort and luxurious detail, with everything from mohair-upholstered chairs, Turkish Oushak rugs, and hardwood floors to iPod stereos, hi-def televisions, and marble bathrooms with deep-soaking tubs. When hunger hits, guests can head downstairs for authentic Italian plates at Gemma and a nightcap at the Lobby Bar, a lower Manhattan staple known for its timeless ambiance and clever riffs on cocktail classics.

Formerly Blue Sydney.

Carefully constructed around support beams and pipes from a 100-year-old wheat and wool wharf, this hotel offers a beautiful mix of old and new that juts out into the Woolloomooloo harbor. The Heritage Level is where you’ll find original wooden pier pilings, metal wheels, and conveyor belts that date to 1910, but classic touches such as early-20th-century photographs of Sydney are scattered throughout the property. Goose down bedding, plush furnishings, walk-in showers, and in-room iPads make modern travelers feel right at home, and the bar that runs the length of the central atrium—hanging Swarovski crystals shine pink and purple in the evening candlelight—often hosts fashion shows and cocktail events. Most rooms have sliding glass doors that take advantage of the hotel’s over-water location between the Royal Botanic Gardens and Rushcutters Bay; they open to either the city skyline or the Potts Point naval base. Maritime history buffs should book the latter and check out the site on the wharf from which sailors boarded ships for Gallipoli.

I love public art and one of my favorites is “The Awakening,” which was created by the famed American sculptor, J. Seward Johnson, Jr. The Awakening is an iconic sculpture was originally installed by the artist at Hains Point in Washington, D.C., but was moved to National Harbor in 2008 when the developers purchased it. The Awakening consists of five separate pieces of metal, embedded in the ground, giving the impression of a giant man struggling to free himself from the ground. The left hand and right foot look like normal body parts. The left right hand, bent leg, and the bearded face with mouth mid-scream, are the parts that convey the pain of the man’s struggle to free himself. At any given moment, you will someone posing in front of one body part or another for a photo op. Kids especially love to clamber onto the man’s head. You can tell from the photo which part are my favorites! The way the foot and the fingers bent, the veins and folds of the skin—it’s all amazingly realistic. At National Harbor, The Awakening has been installed at the small beach area by the marina. It’s a great place to let the kids loose to have fun in the sand, and for the adults to admire a great piece of public art!

Among the increasingly trendy streets of the Upper Marais, this intimate hotel offers a refreshingly low-key place to unpack. Named for the classic Francois Truffaut film, and set in a former precious metal factory, Jules & Jim has a low-fi artistic bent. The ground-floor lobby and bar—both set off a central, glass-roofed courtyard and garden—feature a rotating collection of works by local painters, photographers, and graphic artists, as well as residential-style seating and bookshelves lined with bric-a-brac. Spread over three structures, the 23 rooms range in size; the “Jules” options in the main building are the smallest and best for solo travelers, while the “Hi-Macs,” “Sous Les Toits,” and “Duplex” accommodations work better for two guests or longer stays. Some categories include perks like terraces, sofa-beds, Nespresso machines, and views of Montmarte, but all come with Bluetooth sound systems, free Wi-Fi, rainfall showers, and access to 24-hour room service (note that there are no mini-bars or fridges).

Schwa is kind of a difficult place to describe; it’s such an eclectic bundle of everything, you just have to experience it for yourself. The exterior of the building makes it look like it should be condemned, but it’s actually structurally sound. Upon entering you’ll be greeted by the always hustling, yet always friendly staff, who will get you to one of the only 26 seats in the small but comfortable dining room. Music—usually heavy metal or rap—is played at a pretty high decibel level, and actually gets inside your brain at times, but for some odd reason it totally works in this place. Overhead the light fixtures are mini works of art that seem literally cobbled together, and to get to the bathroom you actually walk through the kitchen. But once you indulge in all that is unique and wonderful about the place, then you can settle in and indulge in the Michelin-starred food. Anything is fair game here, from Fruit Loop–inspired courses to a curried paste that came in a real-deal petri dish, to the crab that was perched on top of a glass of smoke (you removed the top to inhale the flavored scents—and then ate the crab). And we were told not to play with our food as children! Schwa’s chef Michael Carlson surely did not heed that advice growing up, and as a result we get to reap the benefit of his creative food fantasies coming to life.

Whether you prefer oil paintings or pastels, photography or wood carvings, metalwork or ornamental items, you’ll find excellent locally made samples at this large gallery in Charlotte Amalie. The wood pieces by Avelino Samuel are particularly attractive. The painted calabashes by Daniel Mead are unique to the region. Prices run the gamut, too, so there’s something for every budget.

The Dassenech are a nomadic tribe that live in the region where Ethiopia borders Kenya and Sudan. We visited one village situated along one of the banks of the Omo River. Getting there was not easy though. We started with a long, bumpy ride over dusty, unpaved road. At the riverbank, we crossed to the other side in very simple, hand hewn dugout canoes. We then trudged across a treeless sandy plain where the wind was blowing so hard I could barely see. I think I still have dust and sand in trapped crevices I never knew my body has. The village itself was not attractive at all – clusters of small flimsy domed huts fashioned from tree limbs and lined with corrugated tin dotted the desert floor. To compound the ugliness of it all, trash was flying about everywhere. The one bright spot in the harsh Dassanech world are the women who are known for wearing head pieces fashioned from bottle caps and any other small metal items that can be strung up. I saw zipper pulls, padlocks and even ball chains adorning many a woman’s head. Considering what little they have, I admire the Dassanech women for being so creative in coming up with ways to beautify themselves. Just as we were about to leave, I caught sight of this young girl whose face captivated me. It took me doing some silly antics to get her to warm up to me but in the end, her smiling eyes and toothy grin melted my heart. Surrounded by rubble, I found a small ray of loveliness.

At Mopa Mopa in Oranjestad, local handicrafts aren’t just souvenirs—they’re decorative art. The gallery specializes in carved wooden figures, crafted lovingly in the traditional mopa mopa, or barniz de Pasto, style. To finish each piece, artisans paint them with vegetable dyes and resin-based lacquer, making for one-of-a-kind keepsakes. Visit the gallery to shop and speak with the artisans themselves, who will gladly answer questions and demonstrate their intricate techniques.