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Each Tuesday around 7:30pm, locals from in around central Mérida descend on the square in Parque Santiago to dance “danzon” under the stars at the weekly event called “Remembranzas Musicales”. A form of dance and music, “danzón” was introduced from Cuba to México in the early Twentieth Century. Cuban inspired rhythms from the 1930’s and 40’s are just what is takes to get this crowd moving. Each week, elegant ladies and immaculately dressed men kick up their heels to live music provided by the City Band. The average age of the dancers is north of 50, but they know their moves and it always draws a festive crowd. Everybody is welcome to join in, even if you are not the worlds best dancer. If not, you can take a seat on the sidelines and simply enjoy the festivities. Also, with a night market of restaurants adjacent to the plaza and tables spilling out under the night sky, its a great spot to enjoy the show while sampling local dishes like panuchos, salbutes, tamales and sopa de lima. Parque Santiago is in Mérida Centro, four blocks from Méridas main plaza. It is located in 59 street between 70 and 72. The neighborhood of Santiago, in which the park is located is a colorful colonial era neighborhood full of life. With all the music, food and color, it is also one of the best neighborhoods to stay in. Great vacation rentals ideas with pools and other great amenites are yours by the night, week or month at http://www.remixto.com/. (Images courtesy of Mérida.gob.mx)

Often described as a “Little Paris,” Gueliz has grown into itself in recent years with many of the city’s designers and restaurant owners choosing to set up their flagship fronts there. The Rue de la Liberté is now shoulder to shoulder with fashionable restaurants such as Kechmara for live music, cold beers, and killer burgers; Bistrot Le Loft for platters of French cheese and charcuterie; and the swanky new Asian Resto-Lounge for Chinese steamed dumplings, sushi, and Thai classics; as well as the wine bar Le 68. There’s a Caudalie Spa for great pep-up facials and some must-visit boutiques for snagging made-in-Morocco gifts. Try Lalla, just across the junction at Boulevard el Mansour Eddahbi, for must-have handbags, weekenders, and clutches; Patisserie Al Jawda for delectable Moroccan pastries to take home; and Sidi Marrakech for men’s tailoring. Cross over the main boulevard Mohammed V, and you’ll hit Atika for Tod’s-style suede loafers—brilliant for traveling—in a kaleidoscope of colors. Then hit the Rue Vieux Marrakchi, home to stalwart Moor, for natty embroidered kaftans and cushions, and the envelope-pushing David Bloch Gallery, which showcases the best contemporary urban artists from North Africa.

If you’re coming to Telluride to be part of the action, the New Sheridan might be for you. The town’s social hub for more than a century, the historic hotel features two dozen rooms and suites, done up in elegant but updated Victorian style. Interior rooms are the smallest but quietest, while third-floor accommodations offer the best views of Ballard Mountain. The Ballard Suite includes a separate living room and can be connected to two other guest rooms for a family or large group.

New Sheridan guests enjoy free access to a 24-hour gym just a few blocks away, as well as ski lockers and boot heaters in the downstairs ski room, and discounted food and drinks at the on-site restaurants and bars. Virtually the same since 1895, Historic Bar is a local favorite, with regular drink specials, live music, and foosball and pool tables. On a fine summer day, however, The Roof is the place to be. There’s also Chop House Restaurant for prime aged beef and fine wine, and Parlor for breakfast and light meals. The New Sheridan even serves as a gallery and atelier for its artist-in-residence, Roger Mason, a painter who can often be found outside the hotel, working on another colorful Main Street landscape.

Mile-long Newbury Street, lined with handsome 19th-century brownstone homes, is synonymous with shopping in Boston; it’s also the place to go to get your hair done up nice. Between Arlington Street and Massachusetts Avenue you’ll find an eclectic mix of boutique and designer shops, hair salons, art galleries, and restaurants that generally skews upscale (Tiffany’s, Chanel, Dolce & Gabbana) but also includes the original location of the Newbury Comics record store and a T.J. Maxx. Eminently strollable and dotted with sidewalk cafés, Newbury Street is the hip heart of the Back Bay neighborhood, perfectly distilled at eye-candy drinks-and-dining hot spots like Sonsie and Stephanie’s on Newbury.

There’s a bit of the Wild West at this luxurious wine country inn. Vintner Fess Parker, of Davy Crockett and Daniel Boone TV fame, opened the inn in 1998. Today it’s still run by his family, and you can wade in the nostalgia by visiting the gallery off the lobby, which displays black-and-white images of Parker from his Hollywood days. Each of the 19 spacious rooms and suites is slightly different. Grand Garden rooms have cozy gas fireplaces and views of Los Olivos, while suites with living rooms are expansive enough to spread out and relax. At the Bear and Star restaurant, ingredients for the “refined ranch cuisine” are sourced from the Fess Parker Home Ranch, just seven miles from the inn. Wagyu specialties abound—from carpaccio to burgers, meatloaf to steaks—while the Fess Parker Winery supplies the restaurant with estate-grown rhône varietals. Lounge by the pool, or drop in at the spa for a massage or facial (a highlight: the Heaven on Earth package, which blends the Unwind massage with a customized Elemis facial). Pro tip: End the evening on a nostalgic note, borrowing a Fess Parker movie from the library for guests.

New Orleans may be home to America’s most festive thoroughfare, Bourbon Street, but Key West’s Duval Street is a close second. This two-kilometer-long (1.25-mile-long) road runs from north to south, from one end of the island to the other, and passes through the city’s historic Old Town. It’s lined with bars, restaurants, stores and galleries—many of which are among Key West’s most famous, including Sloppy Joe’s, a Hemingway hangout back in the 1930s and still a hotspot today. By day it’s mostly for shoppers, but it really heats up at night, with huge crowds strolling up and down the street, live music spilling out from the bars and a party atmosphere all around.

This Canyon Road gallery housed in a classic adobe structure and founded in 1972, showcases 19th and 20th century American art and those famed Southwestern members of the Taos Society of Artists (founded in 1915) like Victor Higgins, E. Martin Hennings and Ernest Blumenschein. Out back, there’s a lovely sculpture garden flanked by a tranquil pond to rest and meditate.

Regulars at Workshop Kitchen + Bar know not to get too attached to any one dish. Innovative chef/owner Michael Beckman—who trained in Lyon and worked in Berlin—might be serving honey-lavender glazed black cod one night; a sausage, rapini, and fennel pizza another; and his signature burger (with pastrami and wagyu oxtail) the next. Diners in the know ask for the off-the-menu whole striped sea bass, grilled in the wood-fired oven with seasonally shifting ingredients. The adventurous menu is a big draw, to be sure, but so is the magical setting: The 90-year-old Spanish-inspired building—once an art gallery and movie theater—features 27-foot-high ceilings, which the trendsetting architecture firm SOMA updated with poured concrete for an industrial cathedral aesthetic. (The work won it a James Beard Design Award.) If you’re there for Sunday brunch or an early dinner, ask for booth #7, which is flooded with natural light, or a table in the whitewashed courtyard. Cocktails such as the Mountaineer—made with little-known Génépy des Alpes liqueur, pineapple and lime juice, and bitters—are just as revelatory early in the evening as they are on late weekend nights, when the place is bustling.

The imposing, white-domed wedding cake now known as Palacio de Bellas Artes was originally planned as a national theater, and construction was begun in 1904. The Mexican Revolution, among other things, postponed its completion until 1934, which explains the stark contrast between its creamy art nouveau exterior (note amazing iron- and stonework with local motifs like serpents) and its art-deco-inspired interior, finished in black and red marbles, and with walls that feature dazzling murals by Rivera, Siqueiros, and other postrevolutionary masters. Today the beloved edifice is home to a concert hall, exhibition areas given over to blockbuster shows, and Mexico’s National Architecture Museum; take an auditorium tour—or better yet, see a performance—to lay eyes on the theater’s magnificent Tiffany glass “curtain,” a mosaic formed (they say) by more than 1 million separate glass components.

Housed in a 1964 structure whose modern lines and central fountain greatly complement what’s on view, this anthropology museum is a repository of the most important pre-Hispanic treasures modern Mexico has discovered. The works are displayed in exhibits that trace the entire history of the Americas’ indigenous population, from the Bering migration to the present day. Exhaustive (and sometimes exhausting) in scope, many visitors choose to jump ahead to “greatest-hits” galleries focusing on name brands like the Aztecs (to see their misnamed calendar stone); the Maya and their artifacts; or the Olmec culture, famed for its colossal (and quite sensual) head sculptures dating back to Mesoamerica’s earliest recorded eras.

For bibliophiles, a beautiful bookstore is akin to a church. Voices hush, smiles abound, and books are handled gently, like precious relics. An old home packed with an extensive collection of used and new titles, Bart’s Books opened in 1964, when Richard Bartinsdale’s collection became so huge that he constructed bookcases outside, so passersby could peruse the titles. Instead of a cash register, he left coffee cans on the shelves so customers could leave payment. Today, Bart’s is the largest independently owned and operated outdoor bookstore in the country—and the books outside are still for sale via the honor system. But the offerings extend indoors too. If you’re looking for cookbooks and culinary lore, check in the building’s kitchen. The living room features poetry. Art books are in the gallery. The rest of the place is a maze of bookshelves with corrugated tin roofing and open-air seating areas for reading at your leisure. Don’t worry about rain: The books are fairly well protected, and while a few may be lost in the rare heavy storm, most make it through perfectly fine.

When Mozart was a child, he performed here for Empress Maria Theresa; Franz Joseph I was born and died here, and his unhappy wife, Sisi, presumably sulked inside. Schönbrunn Palace, in the western Hietzing district, naturally invites comparisons to Versailles, as the Hapsburgs built it to rival the French palace. Today, the 1,441-room baroque masterpiece designed by Fischer von Erlach is a World Heritage site, with its Great Gallery and carriage museum among the draws. Its gardens are so vast that a small train takes you around to the palm house, an orangery, and a zoo. The recently renovated, columned Gloriette structure and its café look over the palace and, beyond, Vienna. Schönbrunn’s grandeur never ceases to impress—not bad considering that the palace was only a summer retreat for the Hapsburg rulers.

Home to warehouses and bustling trolley stops in the 1920s and ’30s (with the warehouses becoming artists’ studios and storage facilities in the ’70s), these few blocks in South Dallas’s Oak Cliff neighborhood were designated a National Historic Landmark in 199O—right around the time the area was experiencing a decline. In the new millennium, however, there’s been a revival: Today the area’s brick buildings and charming former homes hold over 60 independent shops, restaurants, bars, cafés, and galleries. Grab a coffee or glass of wine and browse the tomes at the Wild Detectives bookstore, shop for furniture and local artwork at Neighborhood, and find unique gifts and design items at Bishop Street Market and We Are 1976. Foodies also flock to top spots like Hattie’s for Southern low-country–inspired fare; the much-acclaimed (and often hard to reserve) Lucia for Italian fine dining; Eno’s Pizza Tavern for thin-crust pies; Tillman’s Roadhouse for Texas- and Southwest-flavored favorites; and the legendary Lockhart Smokehouse for pit BBQ. Save room for artisan sweets from Dude, Sweet Chocolate (which has garnered national acclaim) and a slice of fresh-from-the-oven pie from Emporium, where the menu changes seasonally. With the area now firmly enjoying “features on travel TV shows” status, and private residences still lining the side streets, parking here can be tricky—especially on the weekends, or during a festival or one of the regular wine, art, or jazz nights.

Huichol beaded masks and animal figurines, yarn paintings, ceramics, and bright oil and acrylic paintings are the specialties at this art gallery in San José del Cabo. Practical ready-to-take-home items include bowls and other kitchen items, jewelry, and vases.

José Clemente Orozco, one of the “Tres Grandes” of Mexican muralists (along with Diego Rivera and David Alfaro Siqueiros), is one of Guadalajara’s most famous sons and unlike another one, the architect Luis Barragán, many of Orozco’s most important works are in the city (at the Hospicio Cabanas, the University of Guadalajara, and other buildings). It may come as a surprise, then, that there is no museum dedicated to the painter and his works in his hometown. You might think, given its name, that the Casa Taller José Clemente Orozco would be it, but the house and studio was only used briefly by Orozco on visits to Guadalajara in the last three years of his life.

After his death, in 1951, his widow decided to turn it into a cultural center. There is only one work by Orozco on display in the building (La Buena Vida). Painted for the exclusive Turf Club, it shows a scene of festive debauchery, complete with scantily clad female dancers. Except for some perhaps veiled criticism, it shares little in common with Orozco’s more typical scenes of revolution. While the Casa Taller is not the place to go to learn about Orozco or see his works, it should be on your list if you want to see current works by contemporary Mexican and international artists. Its galleries regularly house temporary installations and shows by current artists following in Orozco’s footsteps by creating challenging socially engaged works. Admission is free.