Search results for

Chef Joshua McFadden is Portland’s “vegetable whisperer.” That’s no small accolade in a town where vegans roam free and farm-to-table is table stakes for most high-end restaurants. Tusk, his Middle Eastern–inflected restaurant on Burnside Street, turns out small plates under the watchful eye of his business partner, chef Sam Smith. Each dish is near reverent of its ingredients, with “Vegetables, Fruits, Grains” literally at the center of the printed dinner menu. Brunch at Tusk is a more eclectic affair, and also one of Portland’s hottest weekend seats. The bright space even makes the wait for a table a pleasant experience and one well worth the time it takes for the chance to taste the creations of one of Portland’s premier chefs.

After more than 15 years atop Boston’s fine-dining scene, Barbara Lynch’s No. 9 Park may be familiar, but never ordinary. Facing the Boston Common, this restaurant is split between a dress-to-impress bar where Beacon Hill pols gather for after-work cocktails and a dining room favored for special-occasion gatherings, from proposals and wedding anniversaries to Harvard-graduation celebrations. Expect an expertly designed Cat Silirie wine list and elegant French-Italian cuisine (the foie-gras-and-prune-puree-filled gnocchi is guaranteed to please, and go with the steak frites if you’re dining at the bar), with an atmosphere to match.

The tiny Flaming Buoy Filet Co. is located down a residential street (walk or come by cab—you won’t find parking), so it feels removed from the crowds along Duval Street. From the simple menu, popular items include the appetizer trio plate (small servings of lobster macaroni and cheese, grilled shrimp with spicy lime chutney, and a caprese salad) and any of the fish specials. A lot of regulars choose the lobster macaroni and cheese as an entrée, too. Dine outside on a porch strung with twinkling lights, or opt for inside the mellow and air-conditioned dining room or at the bar. Reservations are strongly recommended, even in the off-season.

Handicrafts made from woven straw have been a staple of Bahamian life for generations. The technique was traditionally used to create functional items like fish traps and baskets for carrying food, but today such items are made primarily for souvenirs. A great place to find these and many other keepsakes is the Nassau Straw Market, where around 500 vendors sell a wide variety of goods, from baskets and handbags to wood carvings, drums, and T-shirts. The Nassau Straw Market is a short walk from the Bay Street shopping district. It’s open every day from 9 a.m. to 5 p.m.

Swift streams and waterfalls continue to carve these vertiginous and rugged valleys as they pour into the sea. One of the most stunning wilderness areas on earth, it also contains ancient Hawaiian ruins of graves, temples, house platforms, and terraced fields. The fear factor increases past the initial two-mile path to Hanakāpīʻai Beach (best visited in summertime, as winter swells tend to wash it away). Only experienced hikers in good condition and with proper gear should venture further along the famous 11-mile Kalalau Trail. Check for path and park closures before making plans and don’t forget the $20/night permit to crash at a campsite. However long you trek, stay on the main path and pack out what you brought in.

Named after its storied sister in New York, this hub of LGBTQI culture on gay-friendly Oxford Street is the only place in Sydney where you can see drag shows every night of the week. Offering everything from stand-up comedy—like the Let’s Talk About Sex show on Friday, where audience members put their “problems” in a mailbox for beloved drag queen Verushka Darling to solve live on stage—to solo numbers and choreographed productions, it’s always a good time. On Sunday, the longest-running drag variety show in Australia, Polly’s Follies, is still being performed after more than 25 years by well-known drag personality Polly Petrie. Pop in on the right night and you might just run into a celebrity like Kylie Minogue or Adam Lambert.

The truth is, there’s a chance that there won’t be any bread to buy when you visit the Raleigh Street Bakery’s operation (a garage behind the baker’s house). That’s because the bakery sells bread shares to locals that they use to score a fresh loaf or two of artisanal bread every week. But because there may be an extra loaf of this extraordinary bread for sale, you should make a point of trying. Two pickup locations around town operate at different hours on different days. The Monday-late-afternoon bread-pickup spot, Call to Arms Brewing Company, offers the consolation of fine local craft beer if the bread’s all gone. You can also try the Union Station Farmers’ Market on Saturdays between 9 a.m. and 2 p.m.

The Vietnamese banh mi offers everything you’d ever want in a sandwich. It is an explosion of flavors and textures: tangy, crunchy, spicy, and savory. Chef Tebi Nguyen creates this culinary alchemy in an East Austin trailer: He takes pork that’s been marinated in fish sauce, garlic, red shallots, and a touch of honey and pan-sears it, then applies a final char with a blast of a torch. The meat is tucked into a baguette that’s been swiped with mayonnaise, and then showered with a crunchy tangle of cucumbers, jalapeños, and daikon.

It’s not yet Brooklyn, but the Spittelberg quarter in the Neubau district is arguably Vienna’s newest trendy spot. As neighborhoods go, Spittelberg is tiny, made up of old working-class blocks with an unsavory past. But Spittelberg lies in the shadow of the mega-successful MuseumsQuartier, and the bars and restaurants tucked into leafy courtyards behind Biedermeier buildings are hopping now. Thankfully, a village feel remains on the quiet pedestrianized streets and alleys where, in warm weather, Schanigartens (Vienna’s version of outdoor restaurant seating) appear. Amerlingbeisl, Bohème, and Witwe Bolte are three of the most popular bistros, along with newcomer Das Spittelberg. The neighborhood’s Christmas market, with its glühwein kiosks, is perhaps the top one in the city.

Based on an idea by Simon Wiesenthal and erected in 2000, British artist Rachel Whiteread’s Nameless Library in the Judenplatz sits in one of the most tranquil squares in Vienna’s Inner City. The simple, stark, 12-foot-high concrete block is dedicated as a Holocaust memorial. Since the Middle Ages, Viennese Jewish life centered around the Judenplatz, and excavations during the memorial construction revealed a synagogue that had been destroyed in the pogroms of 1421. The square’s Misrachi-Haus, with its baroque facade dating from 1694, is now a branch of the Jewish Museum Vienna (its main location is in the Palais Eskeles). Johann Bernhard Fischer von Erlach’s stately Bohemian Court Chancellery building and a monument to the Enlightenment author Gotthold Ephraim Lessing also face the square.

Its imposing structure now in ruins like an ancient stone temple, the sea-facing Huanchaca silver foundry was abandoned at the beginning of the 20th century only to be named a national monument in 1974. At its foot now sits the Museum of the Atacama Desert, a striking, largely underground building opened in 2009 that was designed by a leading Chilean firm and reflects the same monumental scale as the foundry. The galleries are dedicated to geology, astronomy and archaeology, while the site as a whole—the museum, the foundry ruins and a foundation that supports local artists—forms the Huanchaca Cultural Park. It has quickly become a popular stop for visitors to Antofagasta, providing an excellent introduction to this region of Chile.

Tapas and paella are the big draws at Zuzu, a tiny Spanish-inspired restaurant in downtown Napa. Small-plate portions range in price from $6 to about $15, and feature a variety of local produce—some from Zuzu’s own garden. Fan-favorite tapas include pan-fried Manchego cheese with roasted poblano peppers, Monterey squid and morcilla sausage a la plancha, and bacalao, dried salt cod drizzled with white truffle oil. Paellas are larger, more expensive, and more involved; most take at least 20 minutes to prepare. Choose between the paella of the day with chorizo, shellfish, and sofrito, and the black paella with clams, shrimp, mussels, and calamari. Zuzu also offers an interesting wine and beer list, with a number of imports from Spain. The restaurant doesn’t take reservations, so be sure to go early.

Dumplings are a northern Chinese staple—inexpensive, hearty, and with a variety of fillings—and the boiled dumplings (shuijiao) at Baoyuan don’t disappoint. What sets them apart from your corner dumpling shop is the colored dumpling skins, dyed with juice from spinach, tomatoes, carrots, and purple cabbage. Customize your order by choosing your skin and filling—say, a spinach dumpling filled with cucumber, cilantro, pork, and lotus root, or a cabbage-dyed purple wrapper with bean sprouts, crispy rice, pork, and cabbage inside. There’s no denying that these dumplings photograph well, and that, plus the quirky venue—two dining rooms reached by a stroll through a fake garden and over a bridge—makes this a worthy place for a cheap and cheerful lunch or dinner.

If you happen to be French, French Canadian, or simply of French descent, the Musée de l’Amérique Francophone (Museum of Francophone America) in the heart of Old Québec will be of special interest—the interactive displays will help you trace your family heritage. It’s worth a visit even if you don’t have French ancestors, however, as an introduction to Québec’s francophone community, its remarkable history, and the story of how the culture has survived, even after being absorbed into the British Empire and then sharing a country where Francophones are far outnumbered by Anglophones. Exhibits trace the history of the francophone community beyond the province, including migrations to New England and the Canadian Prairies. You’ll also learn about lost episodes in the history of New France, like the settlement of Cap-Rouge, which existed for only two years (1541 to 1543) and was recently rediscovered. And see if you can peek inside the deconsecrated chapel from 1900 that’s within the museum, though was constructed as part of the Québec Seminary, located next door. This lavishly restored space is often used for private events, but you can ask the guards to let you take a quick look.

Founded in 1984, this is the oldest cigar factory operating in the Florida Keys, and it uses traditional Cuban methods to cure and roll its stogies. You can choose from a large selection of cigars and also watch a skilled torcedor (cigar roller) in action.

Visitors can browse an extensive selection of cigars—ranging from mellow to full-bodied blends—many of which are rolled on-site using premium tobacco sourced from Central America and the Caribbean. One of the highlights of a visit is watching a master torcedor (cigar roller) at work, offering a rare glimpse into the artistry behind every hand-rolled cigar. Whether you’re a seasoned aficionado or a curious first-timer, the factory’s welcoming staff are happy to guide you through the selection process and share insights into the island’s rich cigar-making heritage.