Search results for

One of the biggest stars of the five museums on Museum Island, the Pergamon was the last to open, in 1930. Built to resemble a Babylonian temple, it houses a trove of ancient treasures from the Middle East, with highlights that include the enormous Pergamon Altar, dating from around 170 B.C.E. and featuring a dramatic frieze showing a battle between gods and giants; the two-story Market Gate of Miletus, built by the Romans in 120 C.E.; and the equally impressive Ishtar Gate, from the reign of Nebuchadnezzar II in the 6th century B.C.E. Another poignant highlight, given the large influx of Syrian refugees into the city since 2015, is the 17th-century Aleppo Room, a reception chamber from a merchant’s house with exquisitely carved wall decorations.

A half-hour’s drive from Bridgetown on the east coast, these gardens on just 2.4 hectares (six acres) of lush grounds are home to an astounding variety of tropical and subtropical plants, from orchids to palms and species found only in Barbados. The gardens were the personal project of Iris Bannochie, one of the island’s leading 20th-century botanists, who began designing them in 1954 and left them to the Barbados National Trust upon her death in 1988. An on-site café is a good option for a light lunch.

The Mercado Agrícola de Montevideo is a must-see for both architecture- and culinary-minded travelers. The majestic cast-iron structure is one of the most elegant buildings erected in the early 20th century in Montevideo. And while the Mercado del Puerto has been converted to a home for upscale restaurants, the Mercado Agrícola remains a working market. A walk through its food hall provides a chance to sample the best of Uruguayan produce as well as sauces, jams and sweets. The market also regularly hosts musical performances.

Walk the long shop-lined Via Capodimonte (or, if you are feeling particularly industrious, climb the 921 Phoenician Steps to the very top) to reach the former home of the Swedish physician and author Axel Munthe. This 20th-century mansion, now a museum with magnificent gardens, sits almost 1000 feet above the sea and offers unbelievable views over Capri and toward Naples and Mount Vesuvius. During your visit, follow tradition and make a wish with your left hand touching the ancient Egyptian sphinx statue. There is a café at the top of the gardens and occasional live music on summer evenings.

Its imposing structure now in ruins like an ancient stone temple, the sea-facing Huanchaca silver foundry was abandoned at the beginning of the 20th century only to be named a national monument in 1974. At its foot now sits the Museum of the Atacama Desert, a striking, largely underground building opened in 2009 that was designed by a leading Chilean firm and reflects the same monumental scale as the foundry. The galleries are dedicated to geology, astronomy and archaeology, while the site as a whole—the museum, the foundry ruins and a foundation that supports local artists—forms the Huanchaca Cultural Park. It has quickly become a popular stop for visitors to Antofagasta, providing an excellent introduction to this region of Chile.

In the 19th and early 20th centuries, Vladivostok was a vast military zone with a string of fortifications. Even today, it remains an important military center as the home of Russia’s Pacific fleet, and you can spend days just visiting the complex of forts built by Russia’s top military engineers. An artillery battery that faces Amur Bay and long protected the old town is now the cool Vladivostok Fortress Museum. Exhibits within the citadel range from weapons and armor from the Middle Ages to displays that tell the story of the fort’s construction. On top of the building, heavy guns stand as if still at the ready.

This sprawling 19th-century former gasworks complex west of the Canal Ring was a polluted site for decades after its closing in the mid-1960s. It was cleaned up and reopened in 2003 as a park, and its architecturally significant red-brick buildings were turned into cultural venues, restaurants, bars, nightclubs, and shops. The Gashouder, a massive circular structure measuring more than 27,000 square feet, hosts mainly techno parties, while the nearby North Sea Jazz Club is an intimate space for live jazz performances. You’ll also find TonTon Club, a restaurant and arcade with video games, air hockey, and table tennis; Pacific Parc, a café with live rock music and DJs; and a three-screen art-house cinema.

The close-in neighborhood called Colonia Roma was first developed at the dawn of the 20th century as a high-end suburb laid out along tree-lined boulevards and plazas. Prominent families erected elaborate residences in architectural styles ranging from neoclassical to art nouveau and even neo-Moorish. A century later—despite some ups and downs—the district is at a peak as one of Mexico City’s most fashionable areas, and old mansions now serve as retail spaces or smart dining rooms that open out onto the street, day and night, in that marvelous dolce vita way. Stroll the quarter’s main drag, Álvaro Obregón, afternoons and evenings, for a complete sampling of its urban pleasures; shopaholics with an eye for edgy design won’t want to miss the whimsical boutiques that line adjacent Cerrada Colima. Deeper dives into side streets and nearby plazas turn up even more surprises when you’re ready for a walkabout.

Named after Louis Mountbatten, Britain’s supreme allied commander in Southeast Asia, Mountbatten Road was originally known as Grove Road. In the late 19th and early 20th centuries it became a popular place for the wealthy to build country homes just a few yards from the sea and its refreshing breezes. Today, due to land reclamation, the sea is more than half a mile away. A number of them, nicknamed “millionaires’ bungalows,” were single-story houses with conical roofs that were built on brick posts for protection against heavy rains, snakes, and wildlife—a design modeled after similar dwellings in tropical India which provides the cooling effects of under-floor ventilation.

The Centre Pompidou, France‘s national museum of modern art, led the way for steel-and-glass buildings in the 1970s. Now the museum leads the way in modern art with its extraordinary collection, currently the world’s second largest. Masterpieces include Pablo Picasso’s Parade and—one of my favorites—Tamara de Lempicka’s Young Girl in Green. Go for the museum, but check out the public library and the view of Paris that becomes more and more impressive as the museum’s escalators rise from floor to floor. Spot the Eiffel Tower and Sacré-Coeur (and perhaps a street entertainer or two with a gawking audience of kids) from the sprawling roof terrace.

The Roman Forum is where ancient Rome began. The sprawling archaeological park gives us just a hint of what the Roman Empire once was—a dominant and diverse society. The Forum itself was the political, social, religious, and commercial focal point for the Roman Republic and eventually the whole Empire—for the most elite members of society as well as the common plebs. Walking through the Forum is a walk through history, from its beginning as a valley with small hilltop communities (8th century B.C.E.) to its rise as the capital of an empire. The ruins of basilicas, temples, public forum spaces, and shops can be explored, and the adventure leads to Palatine Hill, an area of high-society patrician homes including the house of Caesar Augustus.

It’s one of the most recognizable facades on Passeig de Gràcia: a modernist fantasy of undulating stone, brightly colored mosaics, and stained glass—one that could only come from the mind of famed Catalan architect Antoni Gaudí. Designed in 1904 as a home for local industrialist Josep Batlló, the building pays homage to the legendary tale of Saint George and the Dragon. The balconies are reminiscent of skulls, and exterior columns look like bones—recalling the dragon’s human victims—while the roof’s arched shape and scale-like tiles mimic the dragon itself. The interior is just as fantastical, all sinuous lines and curving forms. To avoid the crush, try going first thing on a weekday morning, or shell out a bit extra for a Fast Pass timed ticket online (28.5 euros, or about $37—5 euros more than regular admission).

The central hub of downtown Amsterdam is Dam Square, and it’s been at the heart of the city’s history since the 13th century. Today, the open-air public space is ringed by shops and restaurants and packed with people, including street performers and tourists en route to nearby attractions like the Royal Palace, the National Monument, and the Nieuwe Kerk (New Church), where you can catch a horse-drawn-carriage tour of the city.

Art-loving hikers and Instagram-posting skiers are fond of the Engadine Valley’s unique sgraffiti, decorative murals found on the exterior plaster or stucco walls of chalets and other buildings. They range from 500-year-old pastoral scenes to 20th-century brutalist depictions of railroad workers and hoe-clutching farmers. Typically, these works are made by scratching through the building’s surface to reveal a sub-layer of a contrasting color. Some of the best sgraffiti are found in the most remote villages, and generally, the closer you get to the Italian border, the more you’ll see. Engadine native Josin Neuhäusler is a sgraffito artist who also gives tours of the works.

Dating back to the 1780s and restored in the late 20th century at the behest of Prince Charles, the historical town of Al Bastakiya is a lovely historic exception to the modern glass and steel towers that dominate Dubai’s skyline. Originally named after Bastak, the Iranian city from which Persians migrated to Dubai, it has recently been renamed the Al Fahidi Cultural and Historical District. Clean, sandy beiges characterize the wind-tower architecture that houses several galleries, cafés, and museums. Tourists, locals, and many artists keep the old town hip and upbeat, while the wind towers mean the area is a couple of degrees cooler than the rest of the city. For history, architecture, and art lovers, a daytime visit to this district is a must.