Search results for

Both of Waikiki’s Outrigger hotels are a good value, but this one is a little bigger and a little quieter. It’s right on the beach, just north of the main resort cluster, and though a short walk to the middle of the action, far enough to feel out of the fray. The hotel itself is a quintessential Hawaiian family resort—big and friendly, with an unmistakable good-time vibe, old-school Polynesian decor throughout, and any number of activities on offer. The pool is set back from the beach and nothing fancy (no waterslides, no swim-up bar, and up against a giant wall), but it’s large enough for a serious game of Marco Polo, and there are plenty of lounge chairs to go around. Perhaps the best reason to stay here is the beach—a fairly narrow but sparkling white strand with more elbow room than its sister beaches; the rocky bottom may have something to do with that, but it’s a good place to learn to surf and a great place to catnap in the sun. One warning: the hotel lobby may feel overly commercial to some, what with a row of gift shops and a hard-to-miss timeshare desk, but it’s easy enough to ignore, if you wish.

The most enviable address in Waikiki, the beachfront Halekulani is all about restrained elegance and pitch-perfect service. The hotel dates back a century, though it was entirely rebuilt in the 1980s—and the room decor—fifty shades of white and plantation shutters framing the turquoise sea—complements the scene outside. The beach itself is small and usually mobbed, but the pool is a dream—a giant oval big enough for laps, and quiet enough (few kids here) for a long doze under your chaise’s umbrella. The grassy courtyards and seaside restaurants are just as improbably serene; some might say stuffy, but for others, the reliably hushed atmosphere is a welcome tonic to the hubbub of Waikiki, just outside the Halekulani’s marbled entrance.

Superlatives reign at this massive Palm Beach resort. Among the outsize offerings? The biggest casino in Aruba, with more than 500 slot machines and 26 gaming tables, as well as the island’s largest spa. Its 414 accommodations aren’t lacking for space either: Each room has a walk-in closet, double-sink bathroom, and private balcony; the highest-end suites are so palatial their balconies alone measure up to a sprawling 500 square feet—with ocean views to sweeten the deal. When you’re not playing roulette or indulging in a moisturizing coconut-milk wrap, kick back in one of the beachside palapas, or practice your breaststroke in the free-form pool, complete with cascading waterfalls and a volleyball net (a serene adults-only pool features a swim-up bar if that’s more your speed). In keeping with the more-is-more theme, guests are spoiled for choice with seven on-site restaurants, bars, and cafés, including a Ruth’s Chris Steak House, where the 500-degree plates ensure another best—the hottest meal in town.

The Rossio railway station was designed between 1886 and 1887 by Portuguese architect José Luís Monteiro. It makes connections with the village of Sintra, and the 2,600-meter tunnel was excavated under the city. It is considered one of 19th-century Portugal’s most important works of engineering. It has a beautiful Neo-Manueline façade, where two intertwined horseshoe portals stand at the entrance, a clock sits in a small turret, and the sculptural decoration is abundant. Inside you can now find a Starbucks, Lisbon Destination Hostel, and a souvenir shop.

Described by Napoleon as the “Drawing Room of Europe,” Venice’s principal public square is dominated by Saint Mark’s Basilica and the Doge’s Palace—as well as its famous pigeons. Wander the framing porticos, have coffee at Quadri or Florian’s and just take it all in. Even on the most crowded days, there’s a feeling of calm in the eddying whirls of people who gather in this impressive space.

Cameos aren’t exactly an art form indigenous to Central America, which makes the Stone Castle Cameo Factory’s story all the more interesting: An artisan went to Italy to learn the craft from a master; he then returned to Honduras and taught others, thereby launching a cottage industry. Created from Honduran conch shells, the cameo art here ranges in size and type from traditional brooches to lamps. Customers paying in cash will be able to bargain for discounts.

Housed in a former 1929 Nabisco box printing factory, the museum, which opened in 2003, is a must see for contemporary art buffs. Encompassing over 240,000 square feet, it showcases the Dia Art Foundation’s collection of Minimalist, Conceptual, and Post-Minimalist large-scale works from the 1960’s to the present. As you navigate through the exhibits, you’ll notice most of them are illuminated by natural light, courtesy of the building’s original skylights. Highlights include Andy Warhol’s shadow paintings; Louise Bourgeois’ imposing “Spiderwoman” sculpture; Richard Serra’s “Torqued Eclipse,” a series of vast circular metal sculptures; and Dan Flavin’s florescent light works.

Although this popular Prenzlauer Berg café only opened in 2005, it feels as if it has been part of the neighborhood forever. Lines from the 1919 poem by Kurt Schwitters that provided the café’s name adorn the walls alongside a reproduction of an Alphonse Mucha mural, and the interior has a classic art deco look (red leather banquettes, marble-topped tables, and red curtains) that perfectly matches the traditional German menu of breakfasts and lunches. It’s most famous for the former, including muesli and egg and crepe dishes, as well as elegant, bountiful tiered platters that brim with meats, cheeses, and fruits. Come early on weekends to beat the local families to a table, especially on the outdoor patio, which is perfectly positioned for people-watching.

This Georgetown hot spot offers diners an unexpected array of international dishes and a surprise art gallery between its cocktail bar and grill. A vast funky mural spices up an exposed cinder-block wall, and a skylight floods the furnishings’ bold pops of orange, scarlet, and turquoise. The menu celebrates the eatery’s wood-fired oven, showing off dips and flatbreads from all over the globe. Chimichurri rubs shoulders with mojo verde, burnt honey, and smoked yogurt, while small plates range from falafel to pomegranate-honey chicken wings. Don’t miss this terrific collaboration between James Beard Award–winning chef Matt Dillon (Sitka & Spruce, the London Plane) and Marcus Lalario (Li’l Woody’s, Fat’s Chicken and Waffles).

Museum of Islamic Art Café, located in the atrium of the museum, overlooking the Doha Bay and skyline, combines French with Arabic cuisine in a limited, but superbly delectable, selection of homemade signature creations. The high-end menu, on a user-friendly iPad, includes a selection of foods created by Adam Ducasse, the famous chef preparing the food in the exclusive IDAM restaurant upstairs and a collection of teas and coffees, as well as mocktails. This mixture of Arab-French cuisine, the mind-blowing architecture of the museum, the view, the peaceful atmosphere of the atrium, make this café a mandatory stop after an afternoon at the museum or a stroll along the corniche.

All kinds of antique, art and retro items can be found in Bangkok’s huge array of vintage stores where shoppers can pick up anything from old-fashioned cameras to lovingly reproduced Thai movie posters from the 1950s and 1960s. Prime browsing locations include Papaya Vintage, a treasure trove of vintage items that has become a favoured shooting location for professional photographers.

The Shanghai Museum of Glass, housed in a former glassmaking factory, features ancient artifacts such as blown-glass hairpins from the Song Dynasty as well as modern glass sculptures by Chinese and international artists, many of them American. Take a glassblowing workshop and make a vase to bring home. 685 Changjiang Xi Lu, 86/(0) 21-6618-1970.

MIA Park bazaar is an open air market held every Saturday of the winter months at the Museum of Islamic Art Park. This is the place where local and expatriate artisans come to sell their wear in over 150 stalls: jewelry, handmade and imported clothes, books, souvenirs, homemade food, and a wealth of unusual gifts. The bazaar is not just a place to find handmade items, vintage clothing, homemade food or artisan accessories, the place is also a congregation of international cultures and a hodgepodge of languages and cadences. There is a Colombian merchant selling hobo-chic clothes, a Thai woman selling yoga pants, a baker who goes by “The Cookie Man,” a stall of Filipino food, and the list goes on. The bazaar opens from 11 am to 6 pm, which gives its visitors enough time to browse the stalls, have a picnic on the beautifully manicured grounds of the park, fly a kite, lay on the grass and stare into the infinite blue sky.

This Canyon Road gallery housed in a classic adobe structure and founded in 1972, showcases 19th and 20th century American art and those famed Southwestern members of the Taos Society of Artists (founded in 1915) like Victor Higgins, E. Martin Hennings and Ernest Blumenschein. Out back, there’s a lovely sculpture garden flanked by a tranquil pond to rest and meditate.

Opened in 2011, Reykjavík’s Harpa Concert Hall and Conference Centre is not only the most significant classical music venue in Iceland (home to the Iceland Symphony Orchestra and the Icelandic Opera), but also one of the country’s most striking examples of modern architecture. Located close to the old harbor, the building was part of a larger development meant to breathe life into the downtown district (the plan was abandoned due to the subsequent economic crash, but funds to complete Harpa were found). The coruscating, eye-catching facade was designed by Icelandic-Danish artist Olafur Eliasson, and the spacious interior has four handsome halls, the largest of which can accommodate up to 1,800 seated guests. There are also smaller conference rooms dotted throughout the building, and the ground floor hosts a record shop, café and restaurant, and other public areas. In addition to classical concerts, the venue holds music festivals, pop shows, art exhibitions, and more.