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Opened in 2011, Reykjavík’s Harpa Concert Hall and Conference Centre is not only the most significant classical music venue in Iceland (home to the Iceland Symphony Orchestra and the Icelandic Opera), but also one of the country’s most striking examples of modern architecture. Located close to the old harbor, the building was part of a larger development meant to breathe life into the downtown district (the plan was abandoned due to the subsequent economic crash, but funds to complete Harpa were found). The coruscating, eye-catching facade was designed by Icelandic-Danish artist Olafur Eliasson, and the spacious interior has four handsome halls, the largest of which can accommodate up to 1,800 seated guests. There are also smaller conference rooms dotted throughout the building, and the ground floor hosts a record shop, café and restaurant, and other public areas. In addition to classical concerts, the venue holds music festivals, pop shows, art exhibitions, and more.

Attached to the University of Georgia Lamar Dodd School of Art, the Georgia Museum of Art was founded in 1948. It became the state’s official art museum in 1982 and has been a pillar in the local arts community ever since. The permanent collection features works of American, European and Asian art. There’s a gallery of just Italian Renaissance and another of folk artists like Georgian Howard Finster. They often feature student works as well. Best of all, it’s free to visit.

Turning off the highway into Volcano Village, the one-street town leading into Volcanoes National Park, first-time visitors might think they just made a right turn into Oregon. Cool, misty, and thick with giant ferns, this corner of the Big Island is a small but serious rain forest, nourished mightily by eons of volcanic soil and abundant rainfall. Well concealed down one of the quiet side streets, in their rainforest property, are the four one-bedroom cottages that make up the Volcano Rainforest Retreat. Each is unique—one has a sleeping loft, another is a perfect hexagon, a third has a full kitchen. But with their cedar walls and ample windows and shoji screens, they bring to mind Japanese country houses.


A stone pathway even leads to a Japanese soaking tub sitting outdoors beneath a moss-covered pergola. Interiors have eclectic, tasteful furnishings (leather club chairs, farmhouse-style quilts, handmade ceramics) that make each one feel like the guesthouse of a good friend. Though kids are allowed, and futons are available for extra guests, the setting is best for quiet twosomes, rather than families or boisterous groups of friends, as guest quarters are fairly close to one another. That, and in the hush of the rain forest, loud voices just won’t do.

Before there were art galleries in Santa Fe, there was La Posada. Built as a private home in the 1880s by wealthy local merchant Abraham Staab for his beloved wife, Julia, the elegant pueblo-meets-Spanish-style complex expanded in the 1930s, when new owners added adobe casitas to the six acres of lush, high-desert gardens—and then invited artists such as Georgia O’Keeffe and Will Shuster to stay and work. When La Posada became a hotel shortly thereafter, the walls were already lined with works by the many artists who continued to pass through. Even now, the lively lounge—a see-and-be-seen spot for artists of all kinds—and the high-ceilinged rooms—with their kiva fireplaces and traditional viga ceilings—are adorned with works by some of the foremost contemporary American artists. All works are available to buy, too, for guests who want to take home a piece of their trip. Or, you can make like most guests, and just keep returning to this refined retreat that has offered respite from the world for more than a century.

These meticulously manicured formal gardens on the edge of the medina were planted over a century ago. Inevitably, somewhere along the way they fell into disrepair, but after several years of replanting, renovation, and the odd scandal (reputedly, a pile of human bones were dug up here during the process), they reopened in 2011 as a glorious version of their former selves. In a city that’s near desert much of the year, the gardens represent the only proper green space, a literal breath of fresh air just when you need it most. Straddling the medina and the Mellah (the Jewish quarter), the gardens are the perfect picnic pit stop on a sunny day of exploring Fes, and provide a balm to the frenetic energy of the souks. You’re not allowed to throw down your picnic blanket just anywhere, but you can sneak a sandwich on a shady bench.

Amble through, taking in the zellij-tiled water gardens, festooned with roses and lulled by tinkling fountains. Admire the towering palms and poplar trees before circling back around the pond to the ancient waterwheel. Hit the kitschy, slightly-down-at-the-heels-but-charming-anyway Café La Noria for a pot of mint tea. Or try Mezzanine, a rooftop terrace lounge, for a cold beer or a glass of chilled Moroccan rosé with lush views of the garden’s canopy. (The park is closed on Mondays.)

In 1923, the artist Jacques Majorelle acquired a four-acre plot of land just outside the center of Marrakech. Inspired by numerous travels around the country to paint scenes of village life, and funded by painting more illustrious portraits such as that of Pasha Thami el Glaoui, Majorelle was able to build a small studio and house, with enough land to indulge his other passion: ethnobotany. As his career grew, he added a splendid villa, and the garden took on a life of its own, featuring innumerable exotic species from around the world; he added pools and fountains, and, of course, the now iconic, eye-popping Majorelle blue that was lavished on the architecture. The property became so expensive to maintain that the artist was forced to open it to the public until his death in Paris in 1962. The garden gradually fell into a state of disrepair and was slated for development by a hotel chain until French designer Yves Saint Laurent and his partner Pierre Bergé happened upon it during one of their many trips to the Red City. In 1980, they decided to buy it and restore it to its former glory, adding irrigation and doubling the number of plants and gardeners to look after it. They moved into the villa and set about transforming other buildings into what is now the legendary Berber Museum and a boutique. The latter is especially noteworthy for creative director Stephen di Renza’s commitment to reflecting Majorelle’s lesser-known passion for the decorative arts (which is manifest in the exquisite artisanal pieces, leather goods, and jewelry) and Saint Laurent’s inspired use of traditional Moroccan dress, such as the kaftan and djellaba, in haute couture fashion.

To stay in Florence is a visual delight. And a stay at the stunning Il Salviatino hotel is simply magnificent. Tucked into the hills above the glistening city of Florence this restored and refined 15th century villa, Il Salviatino exemplifies the grandeur of Florence with great style in the quiet of the Tuscan hills. Surrounded by 12 acres of their private park, and just 15 minutes from the city center accessible by the hotel’s shuttle;, after being in the middle of the hordes visiting the Duomo and the Uffizi it is a most relaxing place to stay. There is a magnificent tiered pool to swim in, a spa, and horseback riding, hot air balloon rides, cooking classes and wine tastings available nearby. Built as a magnificent villa, each room is unique. Some have outdoor terraces, several feature a glass greenhouse enclosure. Another has a bathtub for two with views of the hills. One stunning room is the Affresco Suite, hidden behind a door in the library and boasting an intricate 1886 ceiling fresco by Bruschi, a sarcophagus tub, books on Florence and enough space for two to curl up to read with a glass of wine: this is the definition of refined luxury. From the remarkable stone terrace, one can see the rose garden, the Duomo, and Florence sparkling at night while dining. The hotel restaurant La Cucina del Salviatino serves local specialties with vegetables, herbs and fruit from their organic garden, paired impeccably with wines from their cellar. A most romantic repast here under the stars by their talented chef Stefano Santo will not soon be forgotten. And the opulent breakfast is the perfect way to begin your day of exploration in Florence. Il Salviatino refreshes, inspires and delights the savvy traveler who seeks the beautiful. Compliments to owner Alessandra Rovati Vitali for refreshing this Florence Tuscan paradise and to CEO Marco Milocco for the seamless operation. Be forewarned however, that after being looked after by the attentive and professional staff the hardest part is leaving. https://www.visitflorence.com all photos: Luxepaths Kurt Winner

This natural amphitheater complements the amazing music you’ll enjoy with an incredible view. On-site there is a 30,000-square-foot visitor center complete with a performers hall of fame and some insight into the 300 million years it took Mother Nature to carve out this iconic structure. The Ship Rock Grille makes it easy to combine dinner and the show; on non-concert days dining is open to the public for brunch and lunch. Once in the amphitheater you’ll be under the stars for the show, or in the rain, since shows are rarely canceled unless lightning threatens the area. The venue seats 9,525 people and offers incredible acoustics.

Giovanni di Piero Antinori became a member of the Florentine Winemakers Guild in 1385—and his descendants have been in the business ever since. Today, the company is overseen by Marchese Piero Antinori—the 25th generation of the titled family—and his three daughters, all of whom were involved in the seven-year project to build this stunning winery and visitors’ center. With a contemporary design crafted with materials like wood, terra cotta, and weathered steel, and featuring views out onto vineyards lush with classic Chianti grapes, the center houses a museum and art gallery, winery and cellar, shop, and rooftop restaurant serving gourmet pairing menus. Four different types of tours are available, ranging from general overviews tailored to the first-time guest (and including tastings of three signature wines), to more in-depth cellar visits (with upgraded cru tastings) and tailor-made experience for connoisseurs.

Bến Thành market has been around Saigon in one form or another for over 300 years. At some points it neighbored bodies of water including a small lake. It is a monster, overwhelming at first. If you come to Saigon and you love to shop, this is the one-stop shop you are looking for. Personally nothing is more thrilling at Bến Thành than the art of “The Barter.” It’s a strategic game of wits of where you pit product desire against pocketbook ability and the house always wins. It’s not always easy, in fact it’s never easy. Hot, stagnant air ripe with the smell of fish and squid always seems to hang in the air right over that gift you can’t live without. You’re constantly walking that fine line between feeling like you got ripped off or feeling you’re further oppressing the local population. Bến Thành is the stadium packed with hundreds of thousands of pieces of clothing, jewelry, and art- and they’re all yours to play for.

Food trucks often frequent the mellow North Shore surf-town of Hale‘iwa—and Giovanni’s remains the fan favorite! Each platter contains two scoops of rice and a dozen jumbo shrimp: lemon-butter, hot and spicy, or the classic garlic-rich scampi-style. Add hot sauce or a side of homemade mac salad... or go rogue with a garlic hot dog smothered in scampi sauce. The truck was initially crisp and white, but has been steadily graffitied with the signatures of chefs and customers since the mid-90’s. Today it parks across from McDonald’s, but has added a pavilion and picnic tables. Or visit the original Giovanni’s White Shrimp Truck at 56-505 Kamehameha Highway in Kahuku.

Most people recognize Eugene, Oregon as the home of the “Oregon Ducks” because of the sports programs at the University of Oregon. But Eugene is so much more. Take for instance the Inn at the 5th, a luxury boutique hotel built and owned by the Obie Company who developed the 5th Street Public Market next door. The hotel reminds me of the “Little Engine That Could” an endearing 1930’s children’s book teaching the value of hard work and optimism. And the Inn at 5th presents those core values to guests in a stylish and polished package.

This collection of 5,000-plus bags, purses, and accessories—the largest in the world—spans more than 500 years, from a practical 16th-century goatskin money pouch to a whimsical shoe-shaped purse by contemporary Dutch footwear designer Jan Jansen. Displayed beautifully throughout a grand 17th-century canal house and arranged by time period, the collection includes rare French silk bridal bags from the 1800s, delicate art deco beaded purses, chic 1970s Lucite clutches, and contemporary handbags by luxury brands like Louis Vuitton, Mulberry, Gucci, and Prada. Items owned by the rich and famous are here as well: a Versace evening bag Madonna carried at the Evita premiere; the cat-shaped “Socks” clutch that Judith Leiber designed for Hillary Clinton; and Margaret Thatcher’s iconic gray Asprey handbag, which she referred to as her “weapon.” Don’t miss the café’s renowned afternoon tea, with sweet and savory bites served in the museum’s period rooms.

The largest museum in Hawaii studies and preserves the history of the islands and the Pacific—for those interested in local culture, it’s a must. The Victorian building originally housed family heirlooms from Princess Bernice Pauahi Bishop, the last direct descendant of King Kamehameha I, including her ancestor’s royal feathered cape. Today the Bishop teems with more than 24 million artifacts, documents, and photos about Hawaii and other Polynesian cultures. Other highlights include everyday items, like combs made from coconut-leaf ribs, and extraordinary ones, like the leiomano (a shark-tooth-studded weapon kept hidden until battle). Don’t miss the 55-foot sperm whale skeleton and other natural-history exhibits, along with a planetarium showing how voyagers navigated the Pacific, guided by the stars.

For more than twenty years, vendors peddling antiques and collectibles have set up shop along Guadalajara’s Avenida Mexico every Sunday morning as part of the Tianguis Trocadero De Antiguedades. If you have a good eye, you’re sure to spot some gems among the junk, from furniture and china to books, jewelry, and other memorabilia. Haggling over prices is commonplace.