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At the center of Medellín, Plaza Botero gets its name from Colombian artist Fernando Botero, who donated 23 of his much-loved, disproportionate-bodied bronze sculptures to the city. There’s a huge chubby head, a reclining woman, and an oddly small man with a bowler hat riding a horse, plus good old Adam and Eve. The Museo de Antioquia abuts the plaza and houses other pieces by Botero as well as works by other artists. By day the square is vibrant and lively, but do take appropriate precautions after dark.

Centrally located on Parque de los Novios, Ouzo serves the city’s best Mediterranean dishes, including brick oven pizzas, seared octopus and roasted lamb with orzo. The chef and owner, Michael McMurdo, began his culinary career in New York City at the Michelin-starred Greek restaurant Anthos. On a visit to Colombia, however, he was charmed by Santa Marta and decided to make his home in the city, opening Ouzo in 2011. The result is a celebrated Greek restaurant in an unexpected corner of the Caribbean.

Medellín’s urban renewal, following decades as one of the world’s murder capitals, has drawn international attention. Perhaps nothing symbolizes the revival more than the Metrocable, a system of cable cars that connect the city center to steep hillside neighborhoods that were once reckoned to be the city’s most dangerous. Grab a ride on Line K up to Santo Domingo and treat yourself to spectacular views. Once on the ground again, take a short wander around the neighborhood for a taste of the real Medellín and its friendly residents (known as Paisas), and see the small shops and the beautiful library whose original benefactor was the government of Spain. From Santo Domingo, another cable car continues to Parque Arví, an expansive nature reserve and weekend escape favored by overheated locals.

El Prado, a grand hotel that stands as a testimony to Barranquilla’s golden days as Colombia’s gateway to the world, is now on the nation’s registry of historic places. When it opened in 1930, it boasted of being the first luxury lodging in Colombia, with private bathrooms and telephones in every room. Narcotraficante interests acquired the property in the 1980s and made it an operations center, which drove away legitimate guests. But after government seizure and decades of decline, things are once again on the upswing. Don’t miss the expansive pool and its shady vegetation, especially when the mercury soars (day passes are available). And afternoon aperitifs or lunches beneath these palms are always a welcome respite.

This sobering museum reminds visitors that Colombia’s beauty, natural and otherwise, has often coexisted with civil war and its brutal violence. Galleries present stories and images as well as survivor, victim, and ex-combatant testimonies. Many artists have contributed portrayals of the war—but perhaps the experience with the strongest emotional impact at the museum is simply watching the videos in which victims of the violence tell their stories.

Founded in 1954, La Cueva, in the seaside town of Barranquilla, gained renown as a favorite watering hole of some of Colombia’s most famous artists, writers, and intellectuals, most notably the so-called Barranquilla Group—which included Gabriel García Márquez—and painter Enrique Grau. All-night affairs were said to be equal parts pontification and house party, with a dollop of boogie. Today’s La Cueva serves a varied menu and invites visitors to relive the bohemian spirit of the artists who put this place on the map (some of their faces adorn a portrait that takes up an entire wall). Jazz bands play here on Wednesdays and Thursdays.

Colombians from the Caribbean coast, known as Costeños, are immensely proud of their cultural, musical, literary, and historical heritage, all of which are on display at this interactive museum. The country’s famous shore stretches from the jungles bordering Panama up through the historic cities of Cartagena, Barranquilla, and Santa Marta, all the way to the deserts of La Guajira. Multimedia exhibits here offer insight into the region’s indigenous cultures, and into the varied musical expressions that have emerged along the long coastline.

Nineteenth-century Cuban independence leader José Martí lived a short but full life, creating a considerable body of writing and traveling extensively. He spent long enough periods of time abroad that he could have been considered an expat; he lived in Mexico in 1875 and again in 1894. During his latter stint in Mexico, he lived on Calle San Ildefonso 40 in the Centro Histórico. A plaque on the building’s wall commemorates the historic inhabitant. Martí appears in other scenes you might see around Mexico City, especially in the murals of Diego Rivera. In “Sueño de una tarde dominical en la Alameda Central,” Martí stands next to Frida Kahlo, tipping his black hat at two ladies. Alameda Central, the park located next to Palacio Bellas Artes, was a favorite spot of Martí’s when he lived in the capital. The mural’s subject is significant moments in Mexican history and in addition to Martí, it depicts a number of important Mexican politicians and thinkers.” Today, the mural is part of the permanent collection of the Museo Mural Diego Rivera in Mexico City.

On the square in front of Santa Marta’s cathedral and in the streets surrounding it, sidewalk vendors and stores sell handicrafts and traditional clothing, leather products, jewelry and other souvenirs. If you’re looking for a more substantial keepsake of your time in Santa Marta, there are also a number of antique shops in the neighborhood.

Cobá holds what remains of a large pre-Colombian Maya civilization located on the Riviera Maya. Lesser known than Tulum, the name Cobá means turbid (cloudy) waters—probably having to do with the five cenotes (underground rivers) in the region, which played an important role in agriculture during the development of this region. At one time the city is believed to have had 50,000 inhabitants. Much of the area is still unexcavated, although recent excavations unearthed a stele, which is unique to the Maya world, as it is covered in hieroglyphics. A restored ball court confirms that the popular ball game was practiced here. Bloodletting rituals traditionally followed Maya ball games at Cobá and slaves were forced to participate. This differs from what was practiced at the later site of Chichen Itza, where the captain of the winning team was beheaded after the game.

Opened in 2002, Coffee House Aruba is an homage to Vienna’s traditional coffeehouses. The three-room gathering space invites guests to sip coffee drinks on overstuffed furniture, surrounded by several antiques. While coffee is the principal focus—there are roasts from Jamaica, Colombia, and Curaçao as well as a house blend from local roaster Smit & Dorlas—the spot also offers an impressive selection of teas. Rounding out the menu is light fare like quiches, salads, and pastries. Note: The coffeehouse is closed on Sundays.

The Museo Soumaya, financed by Carlos Slim, the richest man in Mexico, has the ambitions of the Guggenheim Bilbao from the outside. It’s a stunning building whose sweeping, soaring curves couldn’t help but make it an instant landmark near Polanco, one of Mexico City‘s ritziest neighborhoods. Inside, the museum recalls the Guggenheim New York, with galleries off of a ramp which spirals down (or up) the building. Unfortunately the museum’s permanent collection isn’t as impressive as those at either Guggenheim. The Soumaya does have some strengths—one of the world’s largest collection of Rodins and some especially noteworthy colonial Mexican works—but it can feel hit or miss, with many undistinguished pieces. Slim’s museum is free, however, so you won’t regret paying admission even if you just pass through quickly to take in the building itself and some highlights.

The family-owned Yandup Island Lodge is located on a private island across from the remote Playon Chico community on the Caribbean coastline of San Blas, Panama. The eco-lodge offers two tours a day: a visit to a beach on one of the archipelago’s deserted islands and a cultural tour that connects guests to the local Kuna Yala indian community.

Part of the revitalization of the city of Santa Marta is this new addition to its cultural offerings. The Tayrona Gold Museum (Museo del Oro Tairona), named after the Tayrona culture, which dates back to at least 100 C.E., has a fascinating collection of pre-Columbian gold jewelry and other artifacts, as well as displays about the region’s history. A centerpiece of Parque Simón Bolívar, the museum is located in the restored 16th-century former Customs House (Casa de la Aduana), one of the earliest buildings in Santa Marta and an important artifact in itself.

The views of the skyline of Gaira (once a separate town, near Playa Blanca, but now part of greater Santa Marta), the ocean, and the surrounding hills are part of the magical experience of dining at Burukuka, located right on the water. But it is the restaurant’s commitment to excellent fusion, Caribbean and local cuisine that is the real reason for its success. One must-try is the callelle, a local specialty of mashed green bananas with cheese, sour cream and homemade sausage. The alfresco seating on a large deck is a plus even on warm days, as it’s cooled by ocean breezes.