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Few places in North America are anchored in a heritage like the Pueblo of Taos. This is the longest inhabited living arrangement in the US. The Pueblo still has ten families of around 150 native people working to maintain the culture and the adobe architecture for generations to come. A living artifact, the past and present form a delicate harmony to produce a unique travel experience. The environment says a lot about the sustainability of this community. Tucked up against the Sangre de Cristo Mountains, with the Rio flowing through the center of the Pueblo, the inhabitants have maintained their lifestyle through wars, disease, cultural genocide and environmental impact to survive. From the efficiency of their adobe walls to provide comfort against extreme heat and cold, to the guiding wisdom of elders to keep the Pueblo vibrant, the way of life preserved within these walls is a testament to the strength and vision of native people, connected to this land with over a thousand years of tradition.

It’s one of the most recognizable facades on Passeig de Gràcia: a modernist fantasy of undulating stone, brightly colored mosaics, and stained glass—one that could only come from the mind of famed Catalan architect Antoni Gaudí. Designed in 1904 as a home for local industrialist Josep Batlló, the building pays homage to the legendary tale of Saint George and the Dragon. The balconies are reminiscent of skulls, and exterior columns look like bones—recalling the dragon’s human victims—while the roof’s arched shape and scale-like tiles mimic the dragon itself. The interior is just as fantastical, all sinuous lines and curving forms. To avoid the crush, try going first thing on a weekday morning, or shell out a bit extra for a Fast Pass timed ticket online (28.5 euros, or about $37—5 euros more than regular admission).

Built by Kaiser Wilhelm I in the late 19th century as a gesture to parliamentarians, Berlin’s famed Reichstag came into its own during the Weimar era—Germany’s first attempt at democracy. The parliament building burned under mysterious circumstances in 1933, leading to the suspension of civil rights and Hitler’s ensuing dictatorship. Seized and shot to pieces by Soviet troops in 1945, then abandoned during the city’s division, the traumatized building reentered public life when the German government returned to Berlin following reunification. Today the Reichstag stands proud, topped by a glass dome designed by British architect Sir Norman Foster as a symbol of political transparency. Going inside the dome is very popular; you can look down on plenary sessions as well as admire sweeping city views.

Art-loving hikers and Instagram-posting skiers are fond of the Engadine Valley’s unique sgraffiti, decorative murals found on the exterior plaster or stucco walls of chalets and other buildings. They range from 500-year-old pastoral scenes to 20th-century brutalist depictions of railroad workers and hoe-clutching farmers. Typically, these works are made by scratching through the building’s surface to reveal a sub-layer of a contrasting color. Some of the best sgraffiti are found in the most remote villages, and generally, the closer you get to the Italian border, the more you’ll see. Engadine native Josin Neuhäusler is a sgraffito artist who also gives tours of the works.

Forever on the verge of being the next big target of gentrification, the district known as Santa María la Ribera—northwest of downtown—retains its neighborhoody, down-at-the-heels charms. Its streets are home to a mix of old-school cantinas (all perfectly visitor-friendly) and mom-and-pop restaurants, alongside some neglected architectural gems, hipster coffeehouses, and standard-issue, sometimes grimy local businesses—in short, it’s still real. The district’s centerpiece is its central plaza, known as the Alameda, and its exuberant Moorish-style gazebo (it started life as the Mexico Pavilion at a long-forgotten world’s fair). Recently restored and awash in color, the kiosk is a gem—and the proud emblem of the barrio. Note some amazing old mansions and the spooky Institute of Geology lining the plaza. The nearby Museo Universitario del Chopo—housed in a glass-and-cast-iron former natural-history museum—is a renowned center for avant-garde art that leaves no viewer less than provoked.

Huge and imposing—in fact, one of the largest wooden buildings in the world—the Todaiji was founded in 752 C.E. As big as the structure is now, it’s still only two-thirds of what it originally was. Besides being notable for its size and UNESCO World Heritage Site standing, the temple houses one of Japan’s greatest artistic treasures, the 15-meter-tall (49-foot-tall) Daibutsu. Usually, throughout Asia, the bigger a statue of Buddha is, the worse it is artistically. The Daibutsu, a staggering work of bronze art, is an exception. When it was first conceived, the Japanese themselves weren’t quite good enough with bronze, so they brought in Korean artists to bail them out. A don’t-miss spot.

The mission of the Popular Art Museum is to introduce visitors to the rich array of traditional arts and crafts made by Salvadoran artists, as well as emerging art forms. Sculptures, paintings, weavings, jewelry, clay work, masks, and works made with paper form the bulk of the permanent collection, with temporary exhibits taking a closer look at particular art forms. The museum is very family-friendly, hosting regular craft-making workshops for children and adults.

If you had to choose one place to symbolize Rio’s Belle Époque, it would be this sumptuous café, a must-do for every downtown visitor. Built by a Portuguese family in 1894—when Rio still evinced the splendor of a former imperial capital—its art nouveau–inspired refinements like huge mirrors, imported from Europe, wood furnishings, immense chandeliers, and stained-glass transoms welcome patrons. Colombo is all so terribly majestic you could be at one of the Continent’s grand salons or even the Tortoni in Buenos Aires. Perfect for afternoons over a pastelzinho de Belém, Lisbon’s traditional sweet egg tart.

Out of the tragedy of the plague arose the Karlskirche, perhaps the most magnificent of Vienna’s baroque churches. One of the final designs by Johann Bernhard Fischer von Erlach, the genius behind the Schönbrunn Palace, Karlskirche commemorates the outbreak of 1713. The Karl who gave the church its name was the Counter-Reformation’s Saint Charles Borromeo, who cared for plague victims in 16th-century Milan. The church dome, rising above two columns inspired by Trajan’s Column, is illuminated at night and is a prominent Vienna landmark which be seen from many points in the city. A vibrant fresco in the cupola by Johann Michael Rottmayr glorifies Saint Charles. On Karlsplatz, in front of the church, two of the legendary architect Otto Wagner’s finest art nouveau metro stations remain; one of them now houses a café.

Those who just stumble upon the Hundertwasserhaus apartments in the Third District will likely be wowed by the buildings. Friedensreich Hundertwasser’s funky, mid-1980s organic housing complex is weird and gorgeous with a wavy, eclectically painted facade that looks like something out of a cartoon. With trees growing on its terraces and roof, it’s the antithesis of staid imperial Vienna. A freethinker if there ever was one, the artist, architect, and environmentalist Hundertwasser could be called Austria’s Gaudí. Visitors can learn more about him in the ground-floor café. Nearby, Hundertwasser designed the Kunst Haus Wien art museum out of an old Thonet furniture factory, while up the Danube Canal an incineration plant’s chimney got the Hundertwasser treatment with trippy colors and a funky golden ball on top.

The Celts were in Austria long before the Romans were, but it was the latter who left a more lasting imprint. With a population of 30,000 at its peak, the Roman legion camp of Vindobona was considered the edge of the world. As old as the Roman presence in Vienna is, the Römermuseum only dates back to 2008. On the Hoher Markt, one of the oldest squares in the city (and one with a fabulous gilded baroque fountain), the museum lies right over the Roman officers’ compound. Displays on everything from cooking utensils to toys are enhanced with a 3-D film on life at the time. Across the square, the Ankeruhr, an intricate and gorgeous art nouveau mechanical clock, was erected in 1914 on a bridge joining two sections of the Anker insurance building.

Trade your yodeling for yoga at this free-spirited meditation center in the former Grand Hotel Sonnenberg, a converted Beaux-Arts property nesting atop an enviable ridge in Seelisberg that overlooks the peaceful and turquoise Lake Uri below. The center was founded by the late Maharishi Mahesh Yogi, guru to the Beatles (among many other celebrities). For the unenlightened, the center’s friendly, English-speaking staff will give you a free tour of the facility and a 101 on TM (Transcendental Meditation). Additional activities like yajna rituals and Ayurvedic treatments can be arranged for long-term visitors. Even if TM is not for you, it’s worth the trek to Seelisberg for the glorious views and the rhododendron and rose gardens surrounding the center, which is open to all.

Dalian was under Russian rule from 1898 to 1905, and even though Russia’s occupation of Dalian was relatively short, it still managed to erect several grand buildings on what was then called Engineer Street, and today Russian (or sometimes, Russia Customs) Street. The street is bookended by the Beaux-Arts Dalniy City Hall and the Russian Library, now a museum, in a fanciful Victorian brick building. Between them stand eight colorful restored Russian-era buildings and a handful of late 1990s ones with Russian-inspired designs that were constructed to complement the earlier buildings.

The Culinary Institute of America opened in the former Copia building in 2017, and, in doing so, resuscitated a vision of a foodie attraction in downtown Napa that celebrates the valley’s long and colorful epicurean history. The facility, originally built by the Mondavi family as a food and wine center, now operates as a cooking school and gastrohub, complete with classes, tasting experiences, panel discussions, and art collections. There’s also a restaurant where visitors can dine on food prepared by CIA student chefs-in-training, and a store that rivals Sur La Table for its selection of kitchenware. In spring and summer, be sure to stroll the culinary gardens, which are so large they stretch across First Street.

Along with a great view of San Francisco, Treasure Island is home to a popular flea market, formerly Treasure Island Flea, and now called TreasureFest. Each month around 400 curated vendors set up and peddle their wares. Stalls offer antiques, originally designed art and clothing, and vintage curiosities. You will also find about two dozen food trucks, live music, kids’ games and activities, and some local wine sellers to fuel your shopping fire. The two-day flea market takes place the last weekend of every month. Launched in 2011 to support local artists and entrepreneurs, Treasure Island Flea is now a must-do Bay Area event.