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When the sun sets, Piazza Santo Spirito wakes up and the large square fills with college students and young professionals. Volume is where they gather for strong cocktails and live music. Located in the former workshop of Alfonso Bini, a woodworker who specialized in carved hat forms and later more-creative pieces, the space retains the warm vibe of the local craft studios. Small tables and chairs are set up alongside shelves crowded with books, tools, and art. Seating outside affords a view of the after-dark action on the piazza as well as the striking Santo Spirito church.

Much of the indigenous artwork for sale in the Pacific Northwest is, unfortunately, counterfeit. It’s difficult to tell if the masks and other artwork carved and painted in Salish styles of gentle curving lines, depicting animal icons such as the raven, wolf, and orca, are actually the work of Coast Mountains First Nations artists. Black Tusk Gallery, in the heart of Whistler Village, is a cooperative founded to represent indigenous artists. You can commission an artist to carve a totem that tells the story of your family. The gallery supports emerging teen artists of the British Columbia and Yukon First Nations people through an annual aspiring artists award.

It all started with a tent. The acquisition of the original tent used by George Washington during the American Revolution was the starting point of what was to become the nation’s premier collection of colonial artifacts, now housed in this museum’s galleries. Visitors can experience key moments in the history of the United States re-created in the immersive displays and exhibits of Revolutionary-era art, weapons, manuscripts, and personal items. Located at Third and Chestnut streets, the museum is a short walk from the Liberty Bell and Independence Hall. Kids will love the cannon in the museum’s plaza.

We stood like a pair of Hemingway’s cats in the thin Scandinavian rain to photograph the oxidized lions washed dark at the front of the Ny Carlsberg Glyptotek. A rainy day is always a good day to see a museum and the Carlsberg, the brainchild of the beer scion Carl Jacobsen, is one museum to visit when the weather encourages it. The well-lit solarium of the winter garden speckled with koi ponds, tall palms, and miniaturized sculptures first welcomes you. There a popular cafe serves coffees, beers (from the Carlsberg Brewery naturally), organic lunches, and locally sourced treats. The most popular dining spot, where a reservation is needed, is along the terrace which overlooks the garden. The museum’s two collections are antiquities and French and Danish art from the 19th century. Sculptures are the museum’s métier- they dot even the quiet corners of the museum- from the serious Roman busts to the Danish sculptures which extol physical perfection and line the bright rooms like alabaster runway models. The patterned tiles and marble columns add airs of formality. Then there are the impressionist wings: van Gogh’s Landscape from Saint-Remy; Manet’s the Absinthe Drinker; Gaugin’s Tahitian Woman with Flower; Degas’ The Little-Fourteen-Year-Old Dancer. One appreciates that you can get up close to the works without a rush of onlookers; the museum’s collections are carefully curated, so as to not to overwhelm, and are laid in a manner inviting you to stay for a while.

In 1934, architect Luis Barragán won a contest put on by the city of Guadalajara to design a park on former prison land, creating a gateway to the city center. Together with his engineer brother, Barragán based his design on functionalist, Art Deco, and California modernist styles, incorporating elements of red and yellow as a nod to French 1930s design. Although the park (originally named Parque Revolución but now referred to as Parque Rio, or Red Park) has undergone significant changes over the years, certain elements—the red-and-yellow benches, the kiosk, the fountain, and the mashup of 1930s and ’40s architectural styles that would come to define Barragán’s later work—are still intact.

The ever-colorful Jaffa Flea Market, in operation for more than 100 years, inhabits a portside neighborhood of alleyways, covered walkways, and outdoor verandas. Wander the endless market streets to find restored antiques and handicrafts, Judaica and Persian tiles, as well as designer boutiques and art galleries. Even if you don’t buy a thing, it is the perfect spot to sample local fare. Once the sun sets, and the vendors head home, a food scene springs to life—a wonderland of twinkling lights with dozens of trendy restaurants, bars, and chic cafés. (The flea market is called Shuk Hapishpishim in Hebrew.)

As of May 2018, El Conquistador Resort and Las Casitas Village are closed indefinitely, due to damage sustained during Hurricane Maria.

Situated atop a 300-foot bluff on the eastern tip of Puerto Rico, El Conquistador Resort, a Waldorf Astoria Resort, spreads across 500 acres overlooking the converging waters of the Caribbean Sea and the Atlantic Ocean. A stay at El Conquistador is a transformative experience. Guests can relax at the Eucalyptus steam room, enjoy exotic cocktails while gazing at the El Yunque Rainforest, or even kayak around a private island. Guestrooms and suites are divided into five villages, and feature ocean views, 23 restaurants, an 18-hole golf course, a state-of-the-art aquatic playground/water park for families, and the resort’s private island, Palmino Island, featuring water sports and white sand beaches.

Sicily has a long tradition of puppet shows, and they’re not intended merely to amuse the kids. These are elaborate theatrical works that tell complex stories through beautifully crafted marionettes. Palermo’s International Museum of Marionettes Antonio Pasqualino (its full name) honors the art as it’s performed in Sicily and in other cultures around the world. The 3,500 puppets on display come from Sicily, Japan, Indonesia, Cambodia and parts of Africa. You can even watch marionettes in action in a theater on the top floor; check the schedule to see what’s playing during your visit.

In Melbourne, coffee is king. As part of a long love affair with the caffeinated brew, the city has perfected the processes that go into producing a consummate cup of joe, making it one of the best places to hone your own coffee-making skills. Everyone from espresso amateurs to budding baristas are welcome at the Collingwood Coffee College, where the experts behind Proud Mary Coffee lead everything from two-hour introductory courses to latte art lessons and fully accredited barista trainings. If you’d rather just put your taste buds to the test, the school also holds free weekly cupping sessions, during which you can sip your way through a range of seasonal blends.

This Cuzco corner presents a notable juxtaposition between ancient Incan and Spanish colonial architecture. Since the Incas worshipped their sun god, Inti, above all others, this temple in their imperial capital was the most important of the entire realm. It was here that they brought the idols of all peoples they assimilated, to offer them representation as they demanded allegiance in Cuzco. When the Spanish arrived, they tore down much of the temple and built a monastery on top of it. However, the walls that do remain provide stunning examples of pre-Hispanic engineering, particularly the rounded outer wall that can be seen from Avenida del Sol.

Fly fishing may not be top of mind while walking through San Francisco’s Financial District, but fantasies of casting in crystal clear rivers and commencing the day around a campfire are sure to materialize once you step inside Lost Coast Outfitters. The upscale sporting goods store specializes in top-of-the-line fly fishing gear, but shop owner George Revel has an eye for provisions that tug at the inner outdoorsman in all of us, such as indestructible Yeti coolers, leather-trimmed duffle bags from Filson, and classic Simms flannels in timeless red-and-black check. The grand historic Beaux Arts building only adds to the appeal, as does the 300-plus-bottle whiskey collection hidden behind a wall of waders and waterproof booties. Pro tip: Inquire about joining the exclusive Tin Cup Society to gain access to speakers, casting clinics, expeditions, and curated gear packages.

Booze Cooperativa is “a brain hub of tribes and nations in creative disruption.” That certainly sounds like millennial trendspeak, but the Cooperativa—a three-story neoclassical textile mill repurposed in 1989 into spaces for art, music, and people-meeting, and eating and drinking, has been promoting local artists, providing community for artists of all sorts (many of whom co-work, or play chess with their friends, at the six-meter-long—almost 20 feet—table by day), and acting as a nighttime watering hole ever since. Booze isn’t just about booze at all, but you can smoke here—its owner registered the building as a political party headquarters to get around the Greek indoor smoking ban.

With its tiny, intimate location (inside a 1920s-era former home) and all the accolades (including a James Beard semifinalist nod for Best Chef, Southwest), this Bishop Arts District spot remains one of the harder reservations to snag in town—but it’s well-worth it to keep trying. When you do make it in, you’ll be treated to chef/owner David Uygur’s seasonal Italian-inspired menus, which might include crostini topped with a Calabrian chili and bacon pâté, risotto with celery root and foie gras, or duck leg confit served with polenta, topped off with olive oil cake with prune jam and burnt-cinnamon gelato. The meats are house-cured, the pasta homemade, the ingredients local, and—with Uygur’s wife overseeing the dining room—the atmosphere full of charm, all of which has helped make this a favorite for date nights, special occasions, and foodie splurges.

The choice of whether to build a church following a Gothic Revival or neoclassical design involved more than just aesthetics in 19th-century Québec. The former tended to be associated with Protestantism, and so the construction of the Catholic Basilica of Notre-Dame in that style raised eyebrows. When the St-Jacques Cathedral was destroyed by fire in 1852, the architects who designed a new church for the site, the Mary Queen of the World Cathedral, opted for the neoclassical style that was more typical of Catholic buildings. Constructed from 1874 to 1895, it is a quarter-scale version of St. Peter’s in Rome, complete with coffered vaults and twisting columns in imitation of those of Lorenzo Bernini’s baldachin in the Eternal City. The building’s green copper dome makes a statement, too, looming as it does over the largely Protestant neighborhood. The stucco crucifix by sculptor Philippe Hébert is one of most important works of art in the church.

The Four Seasons earns its five stars for everything from its location—smack in the middle of Seoul’s most-visited palaces and landmarks—to its detailed amenities, such as customizable mattresses. Rooms overlook Gyeongbokgung Palace, the largest and arguably most beautiful of the royal residences, or Cheonggyecheon stream, each a few minutes’ walk from the hotel. Its seven restaurants and lounges include a two-level sushi and sake bar, a Michelin-starred Cantonese restaurant, and an exotic cocktail bar hidden speakeasy-style in the basement. The massive wellness center combines traditional Korean spa rituals with personalized beauty treatments and a 24-hour gym with panoramic views. An indoor pool and saunas, a virtual golf simulator, and a Lego kids’ lounge provide something for every guest.