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Pamela Echeverría founded her original Avenida Ámsterdam space in 2010, after experiences at Galería OMR and the Museo de Arte Carrillo Gil. Since then, the gallery has made a name for itself by providing a forum for contemporary-art proposals based on impassioned research; its catalog has included artists such as Teresa Margolles (2009 Venice Bienniale and the 2012 Prince Claus Award), Erick Beltrán, Santiago Sierra (2003 Venice Bienniale, representing Spain), and Héctor Zamora, as well as Jill Magid, Pablo Vargas Lugo, Terence Gower, and Antonio Vega Macotela. Labor’s current headquarters were originally functionalist architect Enrique del Moral’s 1948 residence and lie just across the street from 1980 Pritzker Prize winner Luis Barragán’s house, which was declared a UNESCO World Heritage site in 2004.

Your introduction to Andaz Mayakoba begins with mangroves and a cenote, or at least an architectural tribute to these natural features of the Playa del Carmen landscape. The elegant pillars that support the towering porte cochere mimic the angled roots of the mangrove trees nearby. A tall passageway, lined with dark wood, leads to an open-sided lobby.

At the center of the lobby, aptly called El Sanctuario, a shallow circular pool reflects the sky through an opening in the ceiling above. The Andaz—which opened on the Mayakoba development in late 2016—has 214 guest rooms and suites, all in low buildings carefully placed on the delicate limestone crust of the peninsula. Some of the buildings surround pretty lagoons and offer easy access to the resort’s restaurants, Casa Amate, the fine-dining option, and Cocina Milagro, which serves three meals a day in a pavilionlike space overlooking the property’s pools.

A spa, fitness center, shop, and kids’ club are also an easy walk away. The balance of guest rooms are in a separate complex of buildings beside the beach. A clutch of umbrellas and lounge chairs on the white powdery sand before an impossibly blue sea presents a stunning picture. In the beachside portion of the resort, another pool and two casual restaurants, OllaTaco and OllaCeviche, add up to a slightly funkier vibe.

Guests are transported around the grounds by golf carts and are encouraged to use bikes parked everywhere. Lagoon boats make regular stops between the four resorts at Mayakoba, and guests are encouraged to take a daily cruise of the winding waterways with a naturalist guide. Andaz staff are young, attentive, and warm.

Colorful street-style murals, depicting animals and fish, splash across the buildings’ exterior walls. Inside the airy guest rooms, artfully tiled sections of floors and walls add fields of color and interest to an otherwise mild, sunny palette. Architect Ronald Zürcher has channeled the extraordinary local beauty—the light and darkness of the region’s beaches and jungles, the vivid pops of color of flowers and birds, the sacred hush of the cenote—and designed a gorgeous and intimate boutique resort.

At the mouth of the Amazon, Marajó is the world’s largest fluvial (that is, river) island. With an area of 40,100 square kilometers (15,500 square miles), it is just a little smaller than Switzerland yet with a population of only some 250,000 residents. During the rainy season, much of this flat island becomes a vast lake. It is a popular destination for surfers, given the large waves created by the island’s tidal bore, and bird-watchers, who come in search of colorful species from scarlet ibises to blue herons.

Did you know that there are actually two equators? The terrestrial equator, like the tropics of Cancer and Capricorn as well as the poles, is based on the relationship between the Earth’s axis of rotation and the planet’s orbit around the sun. But there’s also something known as the celestial equator, which is an imaginary circle created by projecting the terrestrial equator into the night sky. The sun consistently hangs in the equatorial sky for 12 hours each day at the Earth’s widest part, but it passes directly over the actual line only twice each year, during the March and September equinoxes. Although many think that the equator is uniformly hot, in many areas it does experience wet and dry seasons. Biodiversity is extremely rich at the equator, particularly because half of the planet’s rain forests are concentrated in countries along the line: Brazil, Congo and Indonesia.

During the day on the first Saturday of the month, Rio’s nightlife nexus, Lapa, hosts the Feira do Lavradio. Wander the long aisles of flea-market and artisanal craft stalls, and with time and patience, you’re sure to find real treasures in the form of decorative items, accessories, and antiques. What’s more, Lavradio maintains Rio’s classic street-market vibe, complete with strolling musicians, banter from merchants, and maybe even a capoeira ring. Enjoy a great afternoon right in the midst of Rio’s buzziest restaurants and bars.

Close by the Lapa arches there’s a round tent that everyone in Rio knows and loves. Beyond being just a concert venue, it’s a cultural (and countercultural) icon with its own fascinating backstory. It all started in 1982 in Arpoador, an Ipanema beach hot spot, when a group of artists pitched a circus tent to display their work. After several ups and downs, the city government granted them the land where the arena now stands. Its amazing program includes performances by major international acts, but above all it’s a venue every local musician dreams of playing.

A year ago I had dinner at the Clifton, then under the supervision of Tucker Yoder. Mr. Yoder was elsewhere that evening, but I spent several hours at the “chef’s counter” in the kitchen, watching executive sous-chef Jarad Adams work his own delicious magic. Naturally Mr. Adams was meticulous with his food prep, but he was also surprisingly generous with his time for me. Imagine my delight when I returned this year to find Mr. Adams had been promoted to Executive Chef. On this visit, Mr. Adams’s tasting menu showed the same attention to detail as I remembered, but with a greater sense of adventure — even whimsy. From the amuse bouche (a spoonful of polenta topped with pork belly, apple, and a sprig of fennel) all the way through to the sticky toffee pudding with candied pecans, dates, and caramel ice cream for dessert, I was enchanted. The tasting menu consists of four courses and varies by the season. My first course was a toss-up between the butternut squash and apple soup and the shaved winter vegetable salad with hazelnuts, black cocoa, and a buttermilk dressing. I had no regrets about my choice of the salad, especially as butternut squash was the foundation of my next course: the most perfectly seared sea scallop I can remember. From there it was onto monkfish with beluga lentils, with Brussels sprout leaves dancing on top. Mr. Adams knows what he’s doing in the kitchen, and the Clifton — and Charlottesville — is lucky to have him.

Only in Rio can you happen onto a tropical paradise without leaving city limits. About 22 miles west of Copacabana lies Prainha. The name calls up a small beach that’s in fact a sand formation in an ecological reserve surrounded by the Atlantic Forest (Mata Atlântica), with its complete variety of plant and animal life. Known as one of the city’s surfing meccas, it’s a gem for anyone keen on sun and waves. Eat fresh seafood right on the beach, and if you brought your board, take the surf-bus that connects to the city’s most popular tourist areas.

The beach may be the magnet that draws crowds to Trancoso but its the Quadrado that is the heart of the town. The town square sits atop a hilltop offering stunning views of the mangrove forest and sea below. The 1,050-feet-long green park is anchored by the town’s iconic white church and bordered by 50 or so Crayola-colored old fisherman houses. During the day most of the homes stay shuttered due to the heat. But by 5pm, particularly during the peak summer season, they open their doors to reveal chic boutiques and art galleries, restaurants, and pousadas like Uxua and El Gordo. At sunset wild horses graze in the square sometimes interrupt the local kids’ soccer game. The square is filled with crowds after sunset, and artists and artisans come out to sells their goods while musicians come to play music and capoiera dancers come entertain passersby.

The Real Gabinete is a public library—but not the kind you find every day. This neo-Gothic pile, erected by Rio’s dynamic 19th-century Portuguese community, holds 350,000 valuable volumes, impressively shelved in immense floor-to-ceiling bookcases. The rich, evocative interior calls up faraway times and places; the reading room’s iron chandelier and multicolored clerestory enchant visitors who are welcome to sit down and read as well. Only when you’re back on Rio’s bustling downtown streets will you realize just what an oasis the Gabinete is.

Even though artisanal ice cream parlors (Vero, Venchi, Bacio di Late, Officina del Gelato) have been moving into the best locations in Rio’s southern districts, none has quite nailed the style of Europe’s great ice cream masters. That said, the Italian tradition of gelato has clearly come to dominate the scene in this city that lives to eat frozen confections. First-timers to Gelateria Momo are advised to choose between a variety of chocolates and the caramel with fleur de sel. If you become a regular, pay attention: There’s a new flavor every day, including—naturally enough—a full line of tropical fruits. Add-ons include waffles and organic coffee, and everything is served in an ample, pleasant, living room–like space.

Imagine an entire jungle, summarized in a park. That’s the essence of the city’s incredible botanical garden, a 345-acre marvel (136 acres have been gardened and manicured to a fault) where visitors brush up against 10,000 plants of 1,500 separate species. Since 1908, it has served Rio as a sort of tropical guardian where the city’s greatest treasure—its nature—is gathered, studied, and even reproduced. It’s a must-do, rain or shine, and at certain seasons, sections like the orchidarium or the Queen Victoria water-lily pond really come into their own. Near the entrance, a stately alley of imperial palms has become the garden’s emblematic signature.

Among all the odd-shaped mountains that adorn the Rio horizon, Sugarloaf (Pão de Açúcar in Portuguese) stands apart for its majesty and fortuitous placement. Sugarloaf is part of a single landmark along with sister peak Urca, to which it connects via a now-century-old cable car locals call the bondinho. When you reach the top of the rounded outcropping, 1,300 feet up, it’s hard to decide what to look at: You’ve got 360 degrees of Rio from on high. The recommended (and most sought-after) visiting hour is sunset. Yet there’s no hurry to descend before night falls. Seeing the lights come up in the cidade maravilhosa is well worth a tarry.

The sight of the little yellow streetcar rumbling across the top of the Lapa aqueduct’s arches, making its way uphill to the neighborhood known as Santa Teresa, is a city classic. An accident had it shut down for five years, and the new bondinho may lack some of its former authenticity (for one thing, there used to be more locals aboard); yet the tropicalized Lisbon flavor of the neighborhood’s streets is still in place. Visitors can access points of interest such as the Parque das Ruínas aboard the trolley, then wander the district’s streets on foot till they reach the famed Selarón stairs that go back down to Lapa.

A mixed-use space for art, education, and history—inside a restored early-20th-century palace—the Museu de Arte do Rio (MAR) is a landmark in the city’s harbor zone. Walk from the top floor down, fifth to first, following an exhibition itinerary that touches on different elements that have left their mark on Rio’s rich history. At the end of the visit, go back upstairs for some refreshment at the excellent terrace restaurant that offers boffo views of Guanabara Bay. On the plaza out front, the Museu do Amanhã (Museum of Tomorrow), a science museum housed in a stunning building designed by architect Santiago Calatrava, can provide a visit that nicely pairs with your MAR expedition.