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Follow in the footsteps of Toltecs, Zapotecs, Mexica, and Maya, while learning more about the country’s past.

A couple returns to the Mexican city where they lived in their youth to see how it—and they—have changed.

Mexico City has no dearth of luxurious boutique hotels, but Las Alcobas is a special option. Designed by famed firm Yabu Pushelberg, the hotel is full of gorgeous details, from hand-stitched leather wall coverings to a spiral staircase that surges up from the lobby. Upon arrival, guests enjoy a welcome drink as a bellman leads them to their room; explains the technology that controls the light, sound and temperature; and offers them a selection of handmade soaps. Once settled in, they can lounge in plush robes on their goose-down comforters while sampling snacks from the minibar. For a heartier meal, Las Alcobas offers two excellent restaurants. Just outside the hotel’s front door, there’s also Presidente Masaryk, Polanco’s main avenue full of restaurants and high-end boutiques.

Many street artists in Mexico City draw on the imagery of thousands of years of Mexican culture, incorporating important symbols into their work , whether in homage, resistance, or reinterpretation. In this mural at #47 Calle Zacatecas, you’ll see a jaguar head and a skull, which reference the ancient Aztec, Maya, and Olmec civilizations. There are several other pieces of street art on the same block as well, including some multimedia pieces that use found objects.

In the Orange Walk district, in Northern Belize, lies one of the largest Maya ruins in the country: Lamanai. It is accessible by road but I arrived after a one-hour boat ride up the New River. The name “Lamanai” is roughly translated as “Submerged Crocodile.” Apparently, there was once a thriving population. The ruins may date back to 700 B.C. and estimates put the number of structures, which are part of the ruins, at around 700 buildings; however, less than 5% has actually been excavated. Thick jungle, filled with howler monkeys, birds and jaguars, conceal the remaining structures. The walk through the jungle from the landing dock is certainly evocative. Tall palm trees form a dense ceiling and thick underbrush conceals everything around the path, still littered with pottery shards and artifacts because excavation is still ongoing. The Mask Temple has the most well preserved details but the view from the top of N10-43 (or High Temple) is thrilling. I don’t recommend it for those who are afraid of heights because the climb down is steep and challenging. If you can make it, it’s worth every moment of struggle. I am no expert judge, but I would revisit Lamanai again in a heartbeat; of all the Maya historical places I have been, it was the most interesting and complete in terms of narrative and historical detail. A museum toward the entrance to the complex could easily take an entire afternoon to get through because of the volume of information it houses.

Housed in a 1964 structure whose modern lines and central fountain greatly complement what’s on view, this anthropology museum is a repository of the most important pre-Hispanic treasures modern Mexico has discovered. The works are displayed in exhibits that trace the entire history of the Americas’ indigenous population, from the Bering migration to the present day. Exhaustive (and sometimes exhausting) in scope, many visitors choose to jump ahead to “greatest-hits” galleries focusing on name brands like the Aztecs (to see their misnamed calendar stone); the Maya and their artifacts; or the Olmec culture, famed for its colossal (and quite sensual) head sculptures dating back to Mesoamerica’s earliest recorded eras.