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Set right on a stretch of sand, Eladio’s is a superb choice for a cool drink and a bite to eat while exploring the port town of Progreso. Dine in the large restaurant under palapa roofs or sit directly on the beach. Eladio’s has been a Yucatán favorite for over 60 years; the first outpost opened in Mérida in 1952. The coconut shrimp and fish in avocado sauce are great options for daytime dining, and the margaritas are refreshing in Progreso’s heat. Look for live music, day and night, which brings in the crowds.

Chef Eduardo García’s flagship restaurant continues to excel as one of the city’s (not so) hidden gems. With its tight dining room and just a smattering of sidewalk tables, fans reserve, ask nicely, and beg—and, in one notorious case, threaten government action—to score a desired seat; those who pull it off choose from a highly selective menu (or do the tasting option) to sample recipes that blend French ideas and techniques with homegrown ingredients and Mexico’s warm, inviting approach to mealtimes. The delicacy of each flavor and the chef’s creativity in bringing it all together guarantee a very special occasion indeed. Even the restaurant’s fast-moving clientele seems to slow down and enjoy at Máximo, somehow sensing they’ve transcended the everyday.

If you’re concerned about the provenance of handcrafts and whether your purchase will genuinely benefit the craftsperson or artist who made it, then confine your shopping to FONART. This government-sponsored project ensures that all of its products were made by Mexican artists and that creators receive a fair rate for their work. Prices here are higher than you’ll find for similar goods sold in the city’s markets, but you can rest easy knowing that the hand-painted wooden chest, embroidered blouse, or black pottery from Oaxaca was made by a legitimate artisan who will receive payment for their craft.

Many of the Mexico City markets, especially La Ciudadela, sell huipiles, the loose-fitting, hand-embroidered blouses that many Mexican women traditionally wore. Sometimes, though, you can’t be sure of their provenance and quality isn’t always consistent. At FONART, the National Fund for the Development of Artisans, however, you can be sure that the huipiles and other pieces of clothing you’re buying, such as scarves, are handmade by artisans who are from Mexico, and that they’re crafted from the finest traditional materials. FONART has several stores in Mexico City, including one centrally located on Avenida Reforma near the Fiestamericana Hotel and this one near the Alameda on Avenida Juárez.

Not as well-known as Chichén Itzá in the Yucatán or Teotihuacán near Mexico City, La Campana is nonetheless one of the country’s important archaeological sites. In fact, this center of the Capacha people was the largest pre-Hispanic settlement in western Mexico and has been inscribed on the national archaeological registry since 1917. Open to the public since the mid-1990s, La Campana, which is located just north of the city of Colima, has pyramidal structures, ball courts and tombs—and a visit offers a chance to explore an ancient city with far fewer visitors than those found at some of Mexico’s other archaeological sites.

Founded in 2004, Cerveza Minerva is one of Mexico’s original—and biggest—independent craft breweries. Sample the spot’s regular brews along with a variety of special editions in its tasting room, where a glass wall offers views into the factory where the beer is produced. There’s also a full food menu to complement what’s on tap.

A trendy restaurant that draws both local and international diners, i Latina offers funky décor, inventive cocktails, and eclectic cuisine with Mexican, Asian, and Mediterranean flavors. Opened in 1999, the restaurant was a pioneer of contemporary cuisine in Guadalajara. Snag a table on the terrace for a great view of the city.

Tori Tori is a higher-end but not unaffordable Japanese food restaurant in Mexico City. The chain maintains three locations: one in the Condesa neighborhood and two in Polanco. The most recent of the three features a visually striking space hidden behind a simple black door. The restaurant was designed by architect Michel Rojkind, with interiors by Héctor Esrawe.

Although the craft cocktail movement is relatively new to Guadalajara, Fat Charlie has quickly made a name for itself as a place to get a really decent drink—that is, if you can get in. The bar bills itself as a speakeasy and requires a password to enter; find it by scouring Fat Charlie’s social media accounts. Once inside, guests can look forward to a laid-back atmosphere and globally inspired cocktails that will make your password search worth the time.

There are some international brands available here, but clothing, shoes, and accessories imagined, designed, and made in Mexico are the main inventory in this Roma boutique, which also bills itself as a gallery and taller, or workshop. Casa Bosques, a magazine and bookstore, features some of its titles here, and you can buy artisanal chocolate bars as well.

For comida típica (home-style food) in Guadalajara, you can’t beat La Chata, an old-school, diner-style restaurant that’s been around since 1942. Generations-old recipes for enchiladas, flautas, and the platillo jalisciense (fried chicken and five sides) along with hefty portions and low prices keep locals lined up around the block. However, the line moves fast and the food comes out faster, so you won’t be waiting for long.

Mexico is home to two fiercely opposing football clubs: Chivas (the country’s most popular team) and Atlas (which has only won a single league title, in 1951). The fan rivalry, which divides Guadalajara along class and neighborhood lines, persists today—and, if you happen to be in town when the two teams face off, you’re all but guaranteed a lively match. Chivas plays in a shiny new stadium on the city’s outskirts, but games at Estadio Jalisco (Atlas’ home stadium, where Chivas used to play) offer a more fun, authentic experience.

Chef Jorge Vallejo—an alumnus of the capital’s most famous restaurant, Pujol—rose to star status with his internationally-ranked Quintonil, a restaurant he runs in partnership with his wife. Vallejo’s more recent venture is Fonda Fina, where his protege, Chef Juan Cabrera, interprets the renowned restauranteur’s dishes in a warm, inviting setting. Guests will find clever, thoughtful design touches like clay cooking pots that have been turned into light fixtures. The servers are attentive, and every dish on the tradition-inspired Mexican menu is presented beautifully.

A sliver of a boutique, with several levels, and discreetly tucked into a quiet street in the Juarez neighborhood, Loose Blues artfully serves up a clever selection of accessories and apparel for its deliberately insouciant, hipster clientele. Its curatorial strategy starts with staples like vinyl LPs and midcentury barware, then drills down to men’s and women’s clothes and footwear that walks a line between Bettie Page, lumberjack, and future shock. Once you’ve loaded up on Hawaiian shirts and skinny-girl jumpsuits, as well as tattoo-inspired and other Mexi-kitsch artworks, retreat to the upstairs café and restaurant, whose airy industrial vibe complements a menu of delights like herbal teas, artisanal brews, and light Japanese fare.

This outdoor ceramic school in the Coyoacan neighborhood is located close to the Museo de Frida Kahlo. The head instructor is a ceramic artist whose simple, Japanese-inspired designs can be found in some of the city’s best restaurants. They also have a booth at the Bazaar del Sabado, but I recommend stopping by the studio so you can catch a glimpse of the pros at work. Watch your feet, because the owner’s cats and crazy-looking Mexican hairless dogs (the breed is called Xoloitzcuintli) have the run of the place.

In 1927, the mayor of Guadalajara, Gustavo R. Cristo, commissioned burgeoning architect Luis Barragán to build him a home. The result was Casa Cristo, which now functions as the headquarters for the College of Architects of the State of Jalisco. Complete with high arches, stained-glass windows, and a tiled roof, the building reflects Barragán’s early fascination with Moorish design. However, glimpses of the style that came to define his later, better-known work are also visible, from the local artisan elements (adobe walls, cedar wood, stained glass made in Tonala) to the bright colors and flow of natural light that suggests a place both modern and steeped in history. Although certain changes have been made to the original house (the removal of the garden, the replacement of original tiles), the building remains relatively well-preserved and merits a visit.