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Chef Eduardo García’s flagship restaurant continues to excel as one of the city’s (not so) hidden gems. With its tight dining room and just a smattering of sidewalk tables, fans reserve, ask nicely, and beg—and, in one notorious case, threaten government action—to score a desired seat; those who pull it off choose from a highly selective menu (or do the tasting option) to sample recipes that blend French ideas and techniques with homegrown ingredients and Mexico’s warm, inviting approach to mealtimes. The delicacy of each flavor and the chef’s creativity in bringing it all together guarantee a very special occasion indeed. Even the restaurant’s fast-moving clientele seems to slow down and enjoy at Máximo, somehow sensing they’ve transcended the everyday.

A who-knows-how-happily-married Diego Rivera commissioned this three-residence compound from Mexican artist and architect Juan O’Gorman in 1931. Jarringly Bauhausian for its time (especially in comparison to the surrounding San Ángel neighborhood’s mission revival gentility), it included separate buildings for Diego and his wife, Frida Kahlo, connected by a slender bridge (as well as a third dwelling for O’Gorman). Visits lead to interiors, showcasing Rivera’s studio and its fascinating collection of artworks, creative infrastructure, and amazing windows. Take time to wander the garden and pause to appreciate the property’s tableaux; then re-tox from all the aesthetic purity across the road at the San Ángel Inn, a gloriously indulgent hacienda bar and restaurant that takes you straight back to the country club—flawless margaritas and all.

If you’re concerned about the provenance of handcrafts and whether your purchase will genuinely benefit the craftsperson or artist who made it, then confine your shopping to FONART. This government-sponsored project ensures that all of its products were made by Mexican artists and that creators receive a fair rate for their work. Prices here are higher than you’ll find for similar goods sold in the city’s markets, but you can rest easy knowing that the hand-painted wooden chest, embroidered blouse, or black pottery from Oaxaca was made by a legitimate artisan who will receive payment for their craft.

Many of the Mexico City markets, especially La Ciudadela, sell huipiles, the loose-fitting, hand-embroidered blouses that many Mexican women traditionally wore. Sometimes, though, you can’t be sure of their provenance and quality isn’t always consistent. At FONART, the National Fund for the Development of Artisans, however, you can be sure that the huipiles and other pieces of clothing you’re buying, such as scarves, are handmade by artisans who are from Mexico, and that they’re crafted from the finest traditional materials. FONART has several stores in Mexico City, including one centrally located on Avenida Reforma near the Fiestamericana Hotel and this one near the Alameda on Avenida Juárez.

The cobalt-blue-and-brick-red residence where now-legendary Mexican visual artist Frida Kahlo grew up—and at times lived with husband Diego Rivera—is one of the city’s most consistently packed attractions; buying tickets in advance is strongly recommended. That said, the visit is essentially (and justifiably) mandatory and offers fascinating glimpses into this extraordinary woman’s life and work. In addition to holding some of her paintings, the house also functions as a showcase for her library, astounding wardrobe, and collection of pre-Columbian artifacts; it additionally bears witness to her close association with left-wing politics. What’s more, the museum portrays the artist’s struggles with depression, marital infidelities, disability, and illness. The house’s garden—home to a modest café and mostly bashful felines—makes for a great breather before more strolling in the Coyoacán neighborhood.

We live in the age of artisanal everything, from chocolate and coffee, to, you guessed it, water. At Mexico City‘s Casa del Agua, staff produce and bottle “local water” on-site. The bottles—designed artisanally, of course—are charming souvenirs that you can use over and over again (with your own, less expensive water) once you’re home. Be sure to go to the second level of the shop to see the filtration process, and to the terrace level to see where the water is captured.

A nondescript shopping arcade in a tony neighborhood might not be the place you’d expect to find one of the world’s top restaurants—but if there’s any place that reinforces the adage about not judging a book by its cover, it’s Mexico City. Biko has been ranked on the World’s 50 Best Restaurants list for years now. The two executive chefs aren’t as visible as other local chefs on the list, but that may be because they’re constantly in the kitchen, turning out memorable dishes. Guests can order off one of two menus: one is more traditional-inspired Basque cuisine, while the other is contemporary. Expect playful presentation and exceptional service.

In 1927, the mayor of Guadalajara, Gustavo R. Cristo, commissioned burgeoning architect Luis Barragán to build him a home. The result was Casa Cristo, which now functions as the headquarters for the College of Architects of the State of Jalisco. Complete with high arches, stained-glass windows, and a tiled roof, the building reflects Barragán’s early fascination with Moorish design. However, glimpses of the style that came to define his later, better-known work are also visible, from the local artisan elements (adobe walls, cedar wood, stained glass made in Tonala) to the bright colors and flow of natural light that suggests a place both modern and steeped in history. Although certain changes have been made to the original house (the removal of the garden, the replacement of original tiles), the building remains relatively well-preserved and merits a visit.

José Clemente Orozco, one of the “Tres Grandes” of Mexican muralists (along with Diego Rivera and David Alfaro Siqueiros), is one of Guadalajara’s most famous sons and unlike another one, the architect Luis Barragán, many of Orozco’s most important works are in the city (at the Hospicio Cabanas, the University of Guadalajara, and other buildings). It may come as a surprise, then, that there is no museum dedicated to the painter and his works in his hometown. You might think, given its name, that the Casa Taller José Clemente Orozco would be it, but the house and studio was only used briefly by Orozco on visits to Guadalajara in the last three years of his life.

After his death, in 1951, his widow decided to turn it into a cultural center. There is only one work by Orozco on display in the building (La Buena Vida). Painted for the exclusive Turf Club, it shows a scene of festive debauchery, complete with scantily clad female dancers. Except for some perhaps veiled criticism, it shares little in common with Orozco’s more typical scenes of revolution. While the Casa Taller is not the place to go to learn about Orozco or see his works, it should be on your list if you want to see current works by contemporary Mexican and international artists. Its galleries regularly house temporary installations and shows by current artists following in Orozco’s footsteps by creating challenging socially engaged works. Admission is free.

It’s a little strange to find yourself in an Italian restaurant in Merida, when your focus should be the local Yucatean cuisine. But when a young, and talented chef like Stefano Marcelletti decides to cook for you at his brand new restaurant, it’s 100% worth the detour. We had the best seats in the house, right in front of the kitchen, which is separated by a large glass wall from the dining room. The flurry of activity inside was infectious, and the incredible dishes they churned out for us, one after the other, left our rambunctious crowd speechless and in awe. It was a real journey for the senses. Simple plates, such as a caprese salad, made our taste buds explode. At the end we all felt it was a good break from our intense foray into Yucatean food over the past few days. The restaurant’s interios is modern, perhaps even a little bit industrial in style. It looked like mostly locals ate here, as we didn’t spot a other tourists. If you’re ready to take a break from Mexican food, or simply in the mood for some scrumptious Italian fare, this is your place. OPEN MON–SAT: 7pm-11pm Oliva Enoteca only takes reservations for 8 and more people. All other will be seated on a first come first serve basis. Calle 47 & Esquina con 54 Colonia Centro, Merida, YUC, MX. Tel. 999.923.3081 >>>A heartfelt thank you to Yucatan Tourism for an unforgettable 4 days in the Yucatan, my new favorite place in Mexico! @YucatanTourism #TravelYucatan

The 18-hole bayside golf course at this upscale hotel features all sorts of challenges for both novice and expert golfers, with the first hole—bounded by sand traps—offering a taste of the tough tees to come. If you start to feel tense, just take a breather and enjoy the scenery; the course is surrounded by 4,000 palm trees and plenty of water.

True, it would be impossible to pack that incredible vanity in your luggage, but that shouldn’t stop you from visiting Década if you love vintage furniture. After all, the staff can pack any object for shipping, and there are plenty of smaller items that will fit in your suitcase, no problem. This shop specializes in mid-century pieces. Plan ahead: it’s appointment-only.

Chef Edgar Nuñez staged at some of the world’s top restaurants, including Noma and the now-shuttered el Bulli, before returning to Mexico to hang his own culinary shingle. The lessons he absorbed during his training have been put to good use, earning him the #27 spot on Latin America’s 50 Best Restaurants list. The menu at Sud 777 is divided into sections such as “River and Sea,” “Heaven and Earth,” and “Mexican Coasts.” The domestically sourced ingredients reflect the clean, fresh flavors of Mexican produce and seafood. Look, too, for a restaurant inside the restaurant: kokeshi is a Japanese-inspired spot with an extensive sushi menu and plenty of sake.

The Viceroy Riviera Maya is a 41- villa resort set on the sugary-white-sand beach along the Riviera Maya. Surrounded by a lush jungle ambiance dotted with dense with ferns, palms and guava trees, it offers a luxurious retreat for guests 16 and older. Guests are treated to an ancient Maya blessing, performed by the onsite shaman - guaranteed to transform worries into a relaxed mindset to mesh with the tranquil resort. The spa employs Maya healing techniques and traditions, while a lagoon pool, fine-dining restaurant, seaside grill, private pier, fitness center and a library lounge are some of the many guest amenities. A menu of artisanal soaps offers a choice of scents. Once the selection is made, the Soap Concierge slices personalized bars from large blocks of soap for their use. Pet packages are available and include a blessing from the shaman, personalized, hand-made portable pet palapas and personalized menus designed by resort chefs.