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Fred Dust's Favorite Bookstores Around the World

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Trained as an architect, Fred Dust is a partner at Ideo, a global design firm that advises companies and organizations on issues of innovation and growth. Here, Dust shares his favorite bookstores around the world.
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98 Oxford St, Darlinghurst NSW 2010, Australia
“This one feels like the home of a friend with a lot of books. Its selections are exceptional, ranging from bestsellers (whose British and Australian cover designs are better than those in the U.S.) to books about design.” —Fred Dust 42 Oxford...
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234 Mulberry St, New York, NY 10012, USA
“The store makes you want to read. But even more interesting, it makes customers want to write, as it has an in-house machine that prints and binds your own paperbacks, and if you pay extra, your book will be displayed on a shelf there.” —Fred...
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1818 N Vermont Ave, Los Angeles, CA 90027, USA
“This is the perfect West Coast counterpoint to McNally Jackson. It makes you want to pick up a book—or a pen. Here, though, if you’re not writing a screenplay, you’re not really writing at all.” —Fred Dust 181 N. Vermont Ave. (323) 660-1175.
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39 Rue de Bretagne, 75003 Paris, France
“My French is passable but definitely not good enough to justify lingering in French bookstores. But I do anyway. Partially, it’s because French bookstores are entirely different from ours, as are French books, bound in white. They’re so spare...
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1005 W Burnside St, Portland, OR 97209, USA
An iconic name in Portland retail—as well as among readers who have never been to the city—Powell’s has multiple locations on both sides of the Willamette. The downtown store remains the one best suited for visitors to explore,...
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828 Julu Rd, Jingan Qu, Shanghai Shi, China, 200085
“Books are censored in China—one reason to see what its bookstores are like. This simple, well-designed place is small, yet it manages to include a Shanghai-style café—with customers seated at a small central table for informal literary...
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In back-to-front Japanese books and especially magazines, the placement of text on the page, and the way it’s connected with visual images, resets the entire graphic structure. This produces a slight disorientation (at least to my Western eyes),...