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When you hear the name of this unusual museum—the National Museum of Funeral History—you can’t help but have a little morbid curiosity about what’s inside. The motto here is “Any day above ground is a good one,” and the inside is filled with death-related artifacts and exhibits that have included a “fantasy coffin” collection with casket shapes including a shallot, a Mercedes, and a chicken; a re-creation of a 1900s casket factory; a tribute to Batman star Adam West; a diorama on embalming practices during the Civil War; and a full-scale replica of Pope John Paul II’s crypt. Admission is $10 for adults, $9 for seniors and veterans, $7 for children under 12, and free for children five and under.

An undulating steel and glass canopy wows visitors who enter the Kogod Courtyard. Inside you’ll find diners from the museum’s café, tourists soaking their weary feet in the shallow fountain running across the space, and students taking advantage of free Wi-Fi in the light and airy setting. The modern roof seals the center of the old Patent Office Building, currently shared by the National Portrait Gallery and American Art Museum. Architect Norman Foster designed the roof to have minimal impact on the building by creating a support system that prevents direct contact and weight placement on it. Unlike most of the other Smithsonian Museums located on the Mall, this gem is found in the busy Penn Quarter of downtown D.C. It is my favorite place to bring visitors, not only for the impressive courtyard space, but also for the preserved architecture of the patent offices on the top floor. Check the Smithsonian’s website for special courtyard workshops, concerts, or events. The museum is right near the Gallery Place/Chinatown Metro on the green, yellow, and red lines.

Tucked away inside Taman Negara National Park, in the far reaches of Malaysia, you will find the world’s longest canopy walk. Originally built for researchers, the suspended paths are now open to the public. The walk stretches for 500 meters and consists of 10 different bridge sections. While suspended 100 feet above the jungle floor, guides ensure that only about 4 or 5 people are on a section at a time, and that everyone is spaced about 5 meters apart. They instruct you to hold on with both hands at all times, and only take photos at designated points. I listened to none of this, but still made it out alive.

The National Museum of Korea is the largest museum in Korea and houses a comprehensive collection of Korean cultural artifacts that tell the story of Korea’s fascinating history, from ancient days to the modern era. There’s also the Children’s Museum—not only a wonderful playground and play space for children but also an impressive interactive exhibit that teaches children Korean history and heritage. Best of all, admission to the museum, including Children’s Museum, is free.

During three years of living in Washington, D.C., I made it my mission to visit as many museums as I could, and the National Museum of the American Indian quickly won me over. I was greeted by a live dance performance and welcomed into a circular space reminiscent of New York’s Guggenheim Museum. The exhibits are educational, informative and engaging, and the space itself is a captivating exercise in design. It may often be overlooked, but it’s one of the best D.C. museums with a notable food court featuring Native American-inspired dishes.

When Chiang Kai-shek fled mainland China for Taiwan, he took with him many of the treasures that at one time were featured in Beijing’s Palace Museum. Among the items are relics and antiques reflecting 8,000 years of Chinese history. Today the collection includes nearly 700,000 pieces, an impressive collection that merits a full-day visit. Among the many treasures that once belonged to the Emperors of China are a delicately carved jade cabbage, intricate ivory work, and artifacts that chronicle the evolution of the Chinese language and culture over millennia. The gift shop is just as impressive, and is the perfect place to buy easy-to-carry souvenirs and gifts.

The National Museum of Ireland is free to enter and is spread across four sites in Dublin, covering archaeology, decorative arts and history, country life, and natural history. The archaeology museum is in an imposing building of columns, vaulted ceilings, and marble staircases situated on Kildare Street. It traces Ireland’s history from prehistoric times through the Roman, Viking, and medieval periods. The exhibitions are well set out and clearly labelled. The section on Ireland’s prehistoric gold, including exquisitely-wrought jewellery from the bronze and iron ages, is particularly interesting. But the most mind-blowing exhibition is called Kingship and Sacrifice, and displays findings related to the ritual killing of presumed royals during the iron age. As part of what are thought to be sovereignty and kingship rituals, people were sacrificed - sometimes brutally - and their bodies tossed into peat bogs (which often marked the boundaries between kingdoms). The anaerobic conditions of the bogs preserved the bodies, some of which are on display. Even after thousands of years you can still make out facial expressions, and in one case, hair! The museum also hosts important religious icons and relics from medieval Christianity, for example the twelfth century Cross of Cong - said once to have contained a fragment of the true cross. If you are at all interested in ancient history, set aside a good couple of hours and explore the museum thoroughly. It’s well worth it!

Located in a former mansion, this interactive museum is full of ancient artifacts. Culled from three distinct periods of indigenous history, the collection includes more than 10,000 pieces from Pre-Ceramic (2500 B.C.E.–1000 C.E.), Ceramic (900–1515), and History Cultural (1515–1880) times. Visitors will find shell and stone tools, decorative items, and food vessels, along with vestiges of Aruba’s gold rush. Of particular note is a limestone family burial cave, which, at 4,000 years old, is one of the most ancient pieces in the museum. With its Dutch Colonial architectural details, the building itself is also worth admiring. Note: The museum is closed on Mondays.

The indigenous people welcomed the first European settlers in 1851. Soon reports reached Scandinavia, like Ostenson Stine’s: “When you throw your eye upon Puget Sound, and behold the fleet of fish barges, rolling upon her briny breast, a reminiscence of the coast of Norway steals into your soul.” It sparked a wave of immigration, now celebrated in a new $45-million landmark-building near the Ballard Locks. The sleek, sophisticated design has a central atrium evoking a fjord, crossed by bridges and pierced by contemporary stained-glass bird sculptures. While some of the exhibits honor Olde Worlde crafts and tools, expect interactive innovations as well. A fan favorite: pillows resembling giant stones, strewn under birch trunks. Cuddle up and watch gorgeous film footage that could easily inspire a trip—or several—to Europe.

The National Art Gallery of the Bahamas occupies the historic Villa Doyle, a colonial-era home from 1860, at the corner of Hill and West Hill streets, across from the U.S. Embassy. The gallery offers a unique look at Bahamian history and culture through the art of its people. The ground floor hosts the museum’s permanent exhibits, while the upstairs has a pair of temporary exhibit spaces that change regularly. The museum is open every day except Mondays and holidays; admission is $10 for international visitors, while kids under 12 are free.

It’s all about the playful details at Holiday House, from the love beads that guests receive on arrival to the custom fortune cookies they take home with them. But make no mistake—this 21-and-up property is an upscale, high-style destination. Built in 1951, the 28 rooms and communal spaces were originally designed by pioneering architect Herbert W. Burns, one of the major forces behind Palm Springs modernism. A 2017 update by lauded interior designer Mark D. Sikes reinvented the hotel, giving fresh life to its clean lines with curated artwork and a cobalt, white, and warm wood palette (even the bicycles match). Accommodations are organized as Good, Better, and Best—and the latter is well worth it for the soaking tub and outdoor shower. The pool scene is laid-back and refined—waiters serve rosé flights between guests’ dips in the water—while an honor-system pantry is stocked with such desert “essentials” as sparkling water, straw hats, and potted succulents. Pro tip: Make a reservation in advance for the al fresco Friday night fried chicken dinner, which draws a crowd for its locally sourced chicken, delivered fresh that day and served with comfort-food sides.

Set on remote Mull Hill in the southern region of the Isle of Man, the village of Cregneash was one of the last bastions of the traditional Manx crofters—that is, tenant farmers on small lots. It was designated by Manx National Heritage as the Cregneash Folk Village in 1938. Visitors can explore Manx thatched cottages including Harry Kelly’s, a typical fisherman’s home, and that of famous Manx poet Ned Faragher. A joiner’s shop and blacksmith’s shop stage demonstrations of Manx crafts.

Housed in a 1907 Renaissance Revival structure that was previously a Masonic temple, the NMWA is the world’s leading museum dedicated to recognizing women’s achievements in the visual, performing, and literary arts. The collection houses more than 4,700 paintings, sculptures, and decorative arts by nearly 1,000 women spanning the 16th century to the present. Explore all four floors and view works from the likes of Mary Cassatt, Frida Kahlo, Lee Krasner, Louise Bourgeois, and Elisabeth Louise Vigée-Le Brun.

Atop Nymph’s Hill, a quick climb from the Plaka, is the National Observatory of Athens, a research institute and true observatory. Visitors by day get a lovely view of the city from the tree-lined grounds which surround beautiful mid-19th-century neoclassical buildings designed by Theophil Hansen; and visitors by night get a chance to view celestial bodies through a 170-year-old telescope. In 2017, the observatory was the site of an extensive installation by Argentinean artist Adrián Villar Rojas.

The smallish Plaza Manuel Tolsá—at the end of Calle de Tacuba—is an all-but-perfect urban conglomeration that will thrill architecture fans. To the south lies the 18th-century Palacio de Minería (a former engineering college) whose solid, sober mastery of imposing volume is leavened by the wavy effects of the city’s sinking soils; to the north is the former Palacio de Comunicaciones, now Mexico’s National Art Museum. The collection here is a winner—but some of the structure’s soaring neoclassical spaces will leave you agog. At the corner with the Eje Central thoroughfare stands the city’s beloved old post office, noted for its eclectic, Venetian-style facade and coruscating interiors in marble, bronze, and iron (don’t miss the grand staircase). A recently restored equestrian statue of a somewhat dopey-looking King Charles IV of Spain is a marvelous finishing touch.